Review: Leeds Piano Competition Winner gives first-class recital

The Great Hall concert on Thursday 1 November was a solo piano recital by Anna Tsybuleva, winner of the 2015 Leeds Piano Competition. The Leeds competition has become, in its short life of just over 50 years, one of the world’s foremost piano competitions, so an excellent performance was expected – and so it proved.

Leeds is not especially renowned as a centre of classical music. OK, Opera North is based there, and their operatic performances are excellent; but opera is another country entirely from piano recitals. How has Leeds managed to develop its solo piano competition to the point where it is known throughout the musical world and beyond, and can attract the most talented young performers to compete?

The competition was the initiative in 1963 of Fanny Waterman, a well-known Leeds piano teacher. In developing the competition, she was helped by her husband and also by Marion Thorpe, then Countess of Harewood. The support of many other people was clearly valuable; but what is obvious is that Fanny Waterman had the vision, and also, crucially, the drive to realise it – as is attested by the fact that, fifty-five years on, she is still active, now as a Life President of the competition.

The competition has a number of partners: the University of Leeds is the Principal Partner, together with Leeds City Council, Steinway and Sons, the BBC, the Hallé, the Oslo Philharmonic….the fact that this list is long and includes many eminent names from the world of classical music is a clear indication of how much effort has gone into building the competition up from scratch.

Anna Tsybuleva’s programme for the first half of the concert concentrated on the piano writing of Beethoven, in which she demonstrated the originality, even eccentricity, of Beethoven’s composing. His Fantasy op 77 is a quite extraordinary piece. It was unfortunate that there were almost no notes on the music in the programme – as it was, the printed programme provided a short biography of the pianist and a very short history of the Leeds competition, but almost nothing on the music being played.

In the second half, Tsybuleva played some of the major piano works of Chopin, in which her playing combined superb lightness of touch and clarity of articulation with a wonderful musicality. This was a first-rate recital in every way.

A final point of interest: Fiona Sinclair, Associate Director of Lancaster Arts and organiser of the Great Hall concerts since 2010, has recently been appointed Chief Executive of the Leeds Piano Competition from 2018 – in fact, she has already taken up her new post. In the past eight years, Fiona has contrived on a limited budget to put together interesting programmes played in the University’s Great Hall by fine performers. She will be missed from Lancaster: it will be interesting to see what she can do with ‘the Leeds’.

Contributed by Martin Widden

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