• decolonisinglu@lancaster.ac.uk

MEDIA STUDIES

    • Aksoy, A and K Robins (2000). Thinking across spaces. European Journal of Cultural Studies, 3(3)
    • Ang, I (2002). On Not Speaking Chinese. New York: Routledge
    • Athique, A. (2016). Transnational Audiences: Media Reception on a Global Scale. New Malden: Polity Press.
    • Azoulay, Ariella (2013) “Potential History”, Critical Inquiry, vol. 39, 3, Spring, 2013, pp. 548-574.
    • Banaji, S (2010). South Asian Media Cultures Audiences, Representations, Contexts. Anthem Press: London
    • Beng Huat Chua (2008) East Asian pop culture analysing the Korean wave. Hong Kong: Hong Kong Uni Press
    • Beng Huat Chua (2012). Structure, Audience and Soft Power in East Asian Pop Culture. Hong Kong: Hong Kong Uni Press
    • Berry, N. Liscutin and J.D. Mackintosh (eds.) (2009), Cultural Studies and Cultural Industries in Northeast Asia: What A Difference a Region Makes. Hong Kong: Hong Kong University Press.
    • Brinkerhoff, J. (2009). Digital Diasporas: Identity and Transnational Engagement. Cambridge: Cambridge University Press.
    • Campt, Tina (2019) “The Visual Frequency of Black Life: Love, Labor, and the Practice of Refusal.” Social Text, vol. 37, 2019, pp. 25-46.
    • Chalaby, J (2003). ‘Television for a new global order’. International Communication Gazette, 65(6).
    • Chen, K (2007). The Inter-Asia cultural studies reader. London: Routledge
    • Darling-Wolf, F. (2014). Imagining the Global: Transnational Media and Popular Culture Beyond East and West. USA: University of Michigan Press
    • Dasgupta, Rohit K. (2017) Digital Queer Cultures in India: Politics, Intimacies and Belonging. London: Routledge
    • Doobo, S (2016). ‘Hybridity and the rise of Korean popular culture in Asia’. Media Culture and Society, 28(1).
    • Edwards, Dan ; Ho, Louis ; Choi, Seokhun (2017). ‘Media, mobilities and identity in east and Southeast Asia: Introduction’. Cultural Studies Review, 23(1).
    • Fosu, Modestus and Akpojivi, Ufuoma (2015). ‘Media convergence practices and production in Ghana and Nigeria: Implications for democracy and research in Africa’. Journal of Applied Journalism & Media Studies, 4(2), pp. 277-292
    • Fung, A (2013). Asian popular culture. London: Routledge
    • Gokulsing, Moti and Wimal Dissanayake (eds.) (2009). Popular Culture in a Globalised India. London: Routledge
    • Hallin, C (2011). Comparing Media Systems Beyond the Western World. Cambridge: Cambridge University Press
    • Hedge, R.S. (ed.) (2011), Circuits of Visibility: Gender and Transnational Media Cultures. New York: New York University Press.
    • Hepp, A. (2015). Transcultural Communication. Chichester: Wiley.
    • Hjorth, L (2015). Routledge Handbook of New Media in Asia. London: Routledge
    • Imre, Anikó ; Marciniak, Katarzyna ; O’Healy, Áine (2009). ‘Guest editors’ introduction: Transcultural mediations and transnational politics of difference’, Feminist Media Studies, 9(4).
    • Jung, S (2011). Korean masculinities and transcultural consumption: Yonsama, Rain, Oldboy, K-Pop idols. Hong Kong: Hong Kong University Press
    • Leela Rao (2001) Facets of Media and Gender Studies in India, Feminist Media Studies, 1:1, 45-48,
    • Mackintosh, J, N Liscutin and C Berry (2012). Cultural Studies and Cultural Industries in Northeast Asia What A Difference a Region Makes. Hong Kong: Hong Kong Uni Press
    • Mancini (eds.) (2011), Comparing Media Systems Beyond the Western World. Cambridge: Cambridge University Press.
    • Martin, Fran ; Iwabuchi, Koichi ; Gassin, Grace ; Seto, WaiLing (2020). ‘Transcultural media practices fostering cosmopolitan ethos in a digital age: engagements with East Asian media in Australia’. Inter-Asia Cultural Studies. 21(1).
    • MyHyun Kim, G (2016). ‘Transcultural Digital Literacies: Cross-Border Connections and Self-Representations in an Online Forum’. Reading Research Quarterly, 51(2).
    • Pinney, C. (2003) Photography’s Other Histories. Durham: Duke UP.  
    • Schlutz, D, Emde-Lachmund, K, Schneider, B and Glanzer, B (2017). Transnational Media Representations and Cultural Convergence – An Empirical Study of Cultural Deterritorialization. Communications 42(1): 47-66.
    • Shih, S (2011). ‘The concept of the sinophone’. PLA, 126(3), https://www-jstor-org.ezproxy.lancs.ac.uk/stable/41414144#metadata_info_tab_contents
    • Shome, R (2016). ‘When postcolonial studies meets media studies’. Critical Studies in Communication, 33(3).
    • Thussu DK. India in the international media sphere. Media, Culture & Society. 2013;35(1):156-162.
    • Thussu, D and K Thussu (2009). Internationalising Media Studies. Routledge: New York
    • Tomaselli, Keyan G (2009). ‘Repositioning African media studies: thoughts and provocations’. Journal of African Media Studies 1(1), pp.9-21
    • WANG, G. (ed.) (2011). De-Westernizing Communication Research. Altering Questions and Changing Frameworks. Abingdon: Routledge.
    • Wang, X (2016). Social media in industrial China. London: UCL Press
    • Yong , J.D. (2016). New Korean Wave: Transnational Cultural Power in the Age of Social Media. Urbana: University of Illinois Press.
    • Zhou, Oscar Tianyang (2021) “Communicating ‘Race’ in A Digitized Gay China”, in Regner Ramos & Sharif Mowlabocus (eds.) Queer Sites in Global Contexts: Technologies, Spaces, and Otherness.  New York: Routledge, pp. 162-178.