I woke up a wilted rose
My petals were crushed
a thousand tempests
My thorns turned inwards
striking my stem
Worms crawled all over me
Yet
my roots were intact
– by Angelina Bong
Malaysia
'Flash' writing anthology about chronic pain - submissions welcome!
I woke up a wilted rose
My petals were crushed
a thousand tempests
My thorns turned inwards
striking my stem
Worms crawled all over me
Yet
my roots were intact
– by Angelina Bong
Malaysia
There is a snuffing out
when the synapses stop firing.
The ex-wives fade to black.
His hawks blink.
Extinguished.
The Co-op, Jesus, trains and snow glimmer.
Cut.
Planets spin off the axons.
Our kisses are ashes
blown to the wind.
He lies alone, like a great house
with all it’s furniture moved out;
windows smeared with grease,
electrics, plumbing in such disarray,
builders would suck their teeth,
shrug, turn away.
Flick a switch, see the neurons crackle.
Smell the burning.
United Kingdom
Too young to understand,
Too scared to stay
Wales
[The image features a form with chaotic hair spanning the entirety of the piece, lines and dots show the chaos of the mind]
The skin I wear
The skin I wear is a covering
for my bones and flesh
and I’m glad it holds it in
but wonder sometimes
why and sigh
about the pain I’m in.
It’s not as if I’ve fallen
or didn’t watch where I was going,
I was plodding on quite well I thought
and tried to do what I’d been taught –
I enjoyed it all in a way.
Can I use a vacuum cleaner?
Why do you ask? I used to
work full time and be the breadwinner
and I can’t help wondering whether
you would have asked that of a man.
I can somehow think you know
I’m still here in a way,
I think so, anyway.
Wales
Hello pain let’s dance!
Hello pain let’s dance together
and cry a melody
Just you and me forever
which dance is it to be?
A boogie or a waltz
a tango or some jiving?
Whatever the rhythm
It’s time to do some living
The violinist’s bow
hews across its strings
The drummer’s sticks do beat
upon his drum
sweet notes emanate
a squeezing heartache
Across the room
A trumpet sighs do come
She moves her body slow
To the echo of the bow
The rhythm of the beat
Won’t knock her down
Her back she keeps it straight
And feet they will not wait
But trip along and step
The bright life into town
She feels a country breeze
That puts her at her ease
Her spirits rise until they fly away
Birdsong in the trees
Falling from their leaves
And butterflies are coming out to play.
Wales
More information: https://poetryatnightblog.wordpress.com/
i often say i wouldnt wish this disease on my worst enemy. i wouldnt. no one deserves this. but i am so glad you understand, that i am not Alone… i wouldnt wish this on my worst enemy, so Why am I glad my best friend has it? i am the worlds biggest hypocrite…
England
hospital gown
a flap in the back
lights flickering
tra la la obsessive screaming
sounds of machines
dissolving matter
situated between two beds
rupture of bodies
declared missing
delivered in close up
Japan
Jane Joritz-Nakagawa’s most recent book is Poems: New and Selected (Isobar, 2018) on sale at Amazon
There is no God.
I know it. I feel it in this agony. This violence. As my brain tricks my body into ripping itself apart.
There isn’t. There can’t be.
Please God. There can’t be.
Twitter @RomGothHolly
Pain permeates her dreams,
Seeps into this anaemic morning.
Sucking breath to unhinge each joint
stuck fast through the cramp of night.
The bathroom is an agony away,
Tender feet must scrape each step while
Wincing fingers trace the rails along
her jagged journey.
Tap turners levered by cankered wrists
bring the gush and plunge of warm water,
A pure moment of relief.
Her baby wakes in a scream of urgency
unanswered by her stumbling mother
who struggles to dress herself,
To start another day.
Soon her child will grow to patience,
Learn wisdom beyond her years,
Wait, while snaps and buttons
are fastened with fragile hands
And desperate cuddles given,
cringed with wrinkling pain.
For further information see: arthritiscare.org.uk
United Kingdom
When the pain goes I half suppose my flesh marked, transformed. A growth of lichen, say, with its warm turmeric tint; a layer of cool, silvery fish-scales; traces of the glacial burn of chain-mail melting into skin. Best of all a delicate, graceful articulation of relief on the site of its worst excesses: once the sharp, piercing jolts give over to prickling, tingling sensations (as if the top of my skull were open or at least porous), the tiniest, downiest feathers could unfurl in the round, a bit like a peacock’s crest – thin stalks topped with trembling blowballs.
But there is nothing, not a wound, not a bruise, not even the flushed tone of a limb pressed against the mirror, straining elsewhere.
(A small crochet work, of a shiny ochre hue, is laid out on a piece of white paper. Dense stitches amass around an empty centre, as if framing a face, becoming looser and looser and turning into ever wider swinging loops. A bit like Medusa’s serpent hair, only less dangerous. In the empty centre, where, were it a face, the mouth would be, lies a small pink square of paper with a black circle from which a thin line protrudes, describing a marker, or corner, or the beginnings of an arrow.)
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United Kingdom
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