'Flash' writing anthology about chronic pain - submissions welcome!

Author: Sara Wasson (Page 8 of 11)

‘The Velocity of Pain’, by Sonya Huber

I lie on the couch, but you cannot see my velocity. I have a tangential vectoring sense that pain is coiled mitochondrial speed, that while I am prone I am riding the rails deep into the future and the past at once, as if pain exposes ruptures in the time/space continuum and pulls me into the openings, as if a body at rest in pain is a body in motion through time rather than space. There is a sense of pressure on my skin as the force of time’s ungluing. There is a sense of coiled mathematical work and a formula connecting time to pain through space as I leave my location on the timeline and descend into time’s scaffolding. I am quantum, visible in two places at once. The electrons vibrate with pain, which is the pressure of the universe, the music of the planets.


United States

‘Singing Bones’, by Katarina Juvancic

 Deeply submerged in the melancholy of the dying summer with my knees telling tales of the approaching cold and winter. My bones, surrounded with tumor necrosis cytokines causing acute and debilitating inflammation are dreading it. 

 

This picture symbolises hope (sun) in the midst of winter. Trees are like bones.  

My body is a place of pain. My body is also a place of unutterable solitude, longing, and love. Love holding my cells in place. Love feeding them and helping them communicate better. I must find that place every time the system that keeps them in check collapses. I must remember it is here, all the time, ubiquitous and ever present. 
I need to embrace my disease and live with it as best as I possibly can. 
But most of all, I need to find a sustainable source of warmth and store it into my bones, so that they can sing songs of sun, warm breeze and golden evenings like this one all year round.

Slovenia

‘SHARING VULNERABILITY THROUGH OUR STORIES’, by Katarina Juvancic

I went to see occupational therapist today, as I am having troubles with my daily chores.

She asked some challenging stuff and burst into tears when I talked about my medical past. Then she told me her most intimate and painful story. I held her hand and we shared a beautiful moment of vulnerability together. Two women who have never met before and should conduct the conversation in a strictly professional, clinical manner, holding hands and crying. 
I told her how precious it feels to be able to share our stories, to treat each other’s broken pieces with understanding, respect and dignity.


Then she put some bandages on my hands and taught me how to stand, how to sit and how to bend. She welcomed me softly into my new reality where little mundane things carry huge meanings. Today I feel I’ve finally put my life vest on.

– by Katarina Juvancic

Website

Slovenia

‘A Hidden Truth’, by Amy Hunter

After struggling with ear problems all my life and having two surgeries for Cholesteatoma in 2008 and 2015, a recent flare up has caused months of pain that is unexplained and has baffled my consultants. Having this on top of my original ear problems and cluster headaches sometimes the pain can make days difficult. This is just a glimpse into what happens on a daily basis. 

Me. Pain. Intertwined. 
Days. Coping. Bad days. Flare ups. 
People. Confused. Understanding Difficult. 
Hidden disease. 

Medicine. No effect. Doctors. Befuddled. 
Decisions. Hospitals. Waiting. Pain. 
Hidden disease. 

Explaining. Constant. Tiring. 
Symptoms. Unexplained. Words. Lost. 

Hidden disease. 

Tired. Exasperated. Threshold. Pushed. Sometimes. Beyond Limits.
Tired. Sore. Always. Hidden Truth. 
Tired. Battle on. 

Hidden disease. 

People. Unconditional Love. 
Caring. Trying to understand. 

Hidden disease. 

Pain. Intertwined. 
Always there.
Nothing seen. 

Hidden disease. 

This is me.

 

  • by Amy Hunter

 

United Kingdom

‘Mutation’, by Marion Michell

This image is of a small green vase, grass-green and made of thick glass which slightly tapers top to bottom. Four small tulips stand in water, three with fading orange petals, one with purple. All are in the stage just before the petals, which seem to be curling in on themselves, fall off. A few stamen are visible, like tiny black tongues.An afternoon spent, or was it an evening, or three, in a wheel clamp’s tender clasp. My dues for modernist mutation paid out in full: ribs, calves, hands, sections of skull, wrenching, arching, hardening. A homecoming of sorts, a holding; mattress won’t grumble, neither will I – if only we knew if we’re hot or cold, horsehair or hardware, flesh or fish or foil.


U.K.

‘Encroachment’, by Mary Marie Dixon

Wedged between sky and river
The birch, plaiting scarred spines, joins
Ochre leaves to Cirrus clouds.

In the wedge of bed and window
Your wounded limbs endure
A throbbing rhythm to misting dew

Autumn wraps a sultry cage
Of alizarin crimson.
She entwines the rising bone

To breach the slough of heaven
Branches thunder and crack
Under heavy snow 

And escape still enclosed in 
Huey blues Your mind warps 
And wraps itself with morphine

 

‘An Everyday Battle’, by Sophie Powell

Just a little twist, a sideways step to dodge out of the path of an eyes-forward businessman on a mission. My hip twists with the sideways step, then ankle and finally, knee. It’s a searing pain, stabs straight through the joint like a missile and there’s a battle taking place in there. My face is blank, a natural reaction to sudden, unbearable pain: a state of brief shock, no matter how many times it happens. No one would know, especially not the businessman with his dead eyes and umbrella wielded like a weapon. A friend notices my misstep and grabs my arm to speed up – the knee won’t buckle, never does, so I carry on with clenched teeth and hands and eyes. Good little soldier, that knee. We walk on, the debris of dead bone – dead men – in that ordinary-looking joint waging war silently beneath my skin.

  • by Sophie Powell 

United Kingdom

‘Collateral Damage’, by Ellie Conway

There is too much light
in the air today.
My eyelids won’t retreat; 
they’re the heavy squad,
repelling all invaders.
My protection
from a day too heavy

for me, 
for my chest, 
my arms.
my legs.

I can only lie 

down

beneath

its weight.

Breathing takes will.
Push, push the invisible hand
up, 
feel it press back 

down. 

Repeat.

and repeat.

Repeat again.

Muscles rebel.
Fibres tug against their tense kin,
stiffening, a shudder of spasms.
Nerve endings return fire, 
trajectory dipping from collarbone 
toward elbow 
past wrist 
till fingertips vibrate 

like 

plucked 

harp 

strings. 

breathe. 

breathe.

The throb, I ache.

My feet go AWOL – no – 
now they’re back with a burn.
Television assaults me, 
sound and vision launch

breathe.

combined assaults, 
attacking my senses.

My brain scrambles to keep up.

breathe.

In silence, the soft pillows embrace me.
I lean in.
Let them tend my wounds.

 

Scotland

‘Twenty Minutes’ (Anon.)

Twenty minutes; one thousand two hundred seconds, nothing really, unless you’re waiting, waiting to be told about something you may not want to hear. I feel different; my body is telling me there is a problem. Seventeen have passed. I’m sitting in a room where time has stood still. I’m surrounded by a sea of unknown faces, all waiting with me. Some are biting their lips; others stare into space like I am. There are only two outcomes, positive, or negative. Polar opposites. “Steven? Come on through.” I follow with my heart in my mouth. “Take a seat.” I do as I’m told. She is smiling at me. But it’s not giving me any comfort. She begins talking, but her words disappear into white noise. My heart has left my mouth and disappeared into the pit of my stomach. I have the answer. Now all I have are questions.

 

 

  • anonymous author

England

‘Swans and Swallows’, by Mary Marie Dixon

(After Tennyson’s ‘The Dying Swan’)

In this wasting plain a
Wedge of swans
Tangle in water
So deep her eyes
In the gyring ferment

I am impotent
Warming blankets only burn
The stab

I cannot touch her
I cannot reach her
To this berth I cannot go
She writhes

White feathers
Drop around her bed
Swans wedge her in again
Swimming violently
Their bowing heads
Surface again

This churning of webbed feet
In water I cannot enter nor fathom
There is no present no past no future
Only some existence that is now and not now

She would wish to die
I would wish to die

Explicitly she does not wish to die
The room is swirling with the rotation of swans
Specters with no beauty
Shape-shifters leading to another world
No end no beginning
 
Still outside we hear
In thunder birds
A swirling of swallows

  • by Mary Marie Dixon

    United States
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