Tag Archives: budget cuts

BAILRIGG NOT-FM

As subtext goes to press, Bailrigg FM’s members have been sent an email informing them that Lancaster SU will no longer be supporting the station’s FM broadcasting license, something it has held for over 20 years. This would mean the station going online-only from the end of August 2019, and ceasing to be regulated by Ofcom. The reason is given as ‘budgetary re-evaluations’ – apparently the cost of a license, somewhere in the region of £1000 per annum, is ‘poor value for money and not enhancing the student experience.’ Members have been told there is very little that can be done about this, despite offers by the station management to try and crowdfund the money.

Supporters of SCAN and other student media must now be wondering how these ‘budgetary re-evaluations’ will affect them.

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BAILRIGG SET AT £1000

Contributed article by Ronnie Rowlands

The idea that a monolith like Bailrigg FM would stand to lose its FM license is inconceivable, yet entirely inevitable, as the Students’ Union whittles itself down further and further in a desperate bid to save cash.

Only last term, the union called on students to vote ‘yes’ in a referendum proposing to reduce the number of paid officers from six to five, going as far as to denounce themselves as a waste of money whilst spouting some nonsense about ‘focusing representation.’ To no avail – the turnout was not quorate, and the SU was unable to make an eighteen grand budget cut. The SU had already made savings when it palmed major services like volunteering, international programmes, and enterprise off onto University House two years ago. And so, at last, it has no choice but to start looking at the pennies.

Bailrigg FM, and the student media as a whole, has been an easy target for many years. This is mainly because the people in LUSU responsible for financial decision-making don’t understand anything about it.

Even though my tempestuous tenure as the SU officer in charge of student media is far behind me, I still get a twitch when I recall enduring meetings listening to certain representatives flapping their gums about making SCAN online only, or making Bailrigg FM digital only. The argument has always been that not enough students listen to Bailrigg FM to justify the amount of money that goes into it, and that ‘radio is dying.’ I would not be at all surprised if such an inane contention was the clincher in whatever meeting the decision was made.

Bailrigg FM has never been about the listeners. Commanding a large audience is a bonus, not an objective. Bailrigg FM has always been about its members. The aim of Bailrigg FM is to provide a playground for budding broadcasters, journalists, producers, writers, engineers, performers, and any of the rest of them.

This is vital to a university that does not offer any vocational media degrees (until the Gary Neville University opens its doors, of course…), and doesn’t cater to such-minded students at its careers fairs. In 2015, I established the LUSU Media Conference as a means of allowing students to network with well-connected and highly experienced industry professionals, but even that seems to have shifted its emphasis towards PR, social media, digital marketing, and suchlike. The SU are entitled to do this, of course, but it only serves to diminish further the limited offerings that Lancaster has for budding ‘meeja’ types.

I hear the flapping of gums again. Am I not reacting as though Bailrigg FM is being shut down completely? Surely FM radio is, quite literally, an analogue concept in a digital age? Quite. But while FM is old-fashioned, it lends legitimacy to the station. It gets taken more seriously by awarding bodies, and it is more appealing to potential sponsors.

It also obligates you to follow Ofcom regulations. Great! Radio without limits, right?

Perhaps.

But being bound by Ofcom requires you to follow its programme code. That means you must adhere to standards of taste and decency, show due impartiality on current affairs, play the news on the hour, avoid product placement, devote a certain amount of your airtime to certain genres, abstain from promoting dangerous behaviour, etc. Basically, it means that you have to behave like you are working at a real radio station, because that is precisely what you are doing. The discipline involved puts pressure on members not to get fined by Ofcom, on the management to ensure that certain standards are kept, and on broadcasters to behave themselves. These are all vital, vocational skills in broadcasting, journalism, and management, that students can take with them should they wish to go into ‘proper’ radio.

Rules around taste and decency force you to be a little more creative with crude ideas – the greatest episode of Seinfeld ever written was the one with the masturbation contest, and yet it never once explicitly alluded to masturbation. Taking some of your mates into a studio, getting tanked up and shouting ‘C*NT’ at each other for an hour and a half might be great fun, but Derek and Clive you are not, and it isn’t something that you’d want to put on your demo-reel.

Then there’s the small issue of policing what gets broadcast. With Bailrigg FM no longer under the jurisdiction of Ofcom, it will fall to LUSU and the University to enact procedures when somebody acts unlawfully on the air.

Such tight fisted, tiny-mindedness tells us nothing new about the SU’s financial shape. Nor does it help the perception that the SU has had a huge deficit of accountability since it did away with Union Council in 2016.

Back then, elected officers, concerned Bailrigg FM members, and the general membership of the University could have shown up to many different meetings to give the Executive a piece of their mind. Alas, more marketing types and fewer media types are being elected to the officership overseeing student media, as the SU continues to shut itself off from scrutiny.

Now, they can freely flap their gums, and merrily whittle themselves down to nothing, the potential consequences little more than static.

With thanks to James Masterton