Bergman (2015) Happily ever after

Investigates the development of the use of stereotypical feminine language over the span of 60 years in Disney’s Cinderella (1950) and Tangled (2010). Mostly quantitative data analysis focusing on the frequency of stereotypical feminine language features identified in both films. Considers context in the discussion of the results. This paper would be useful for those … Continue reading Bergman (2015) Happily ever after

Bertović (2019) Gender differences in Disney princess movies

Examines the speech of male and female characters and how language features have changed over time in six Disney films from 1950-2016. There is qualitative analysis of specific linguistic features across each film with script excerpts being provided where appropriate. Politeness/impoliteness features are also examined. Quantitative analysis provides a general insight into how language use … Continue reading Bertović (2019) Gender differences in Disney princess movies

Blush (2021) Bending the Elementary: Queering Gender and Sexuality in Avatar: The Last Airbender and Beyond

Looks at the role of television in constructing gender for children and reinforcing traditional gender roles, especially Judith Butler’s “heterosexual matrix”, with lexical analysis of how characters do and don’t escape it. Investigates the ways in which Avatar: the Last Airbender (2005-2008) either upholds or subverts the dichotomies of gender and sexuality, by analyzing the … Continue reading Blush (2021) Bending the Elementary: Queering Gender and Sexuality in Avatar: The Last Airbender and Beyond

Campanelli (2019) Gender Nonconformity and Lesbianism in the Magical Girl Genre

Explores conventions of the “Magical Girl” and “Good Witch” tropes within the Shojo/Shoujo genre. Covers older representations of heteronormativity, gender conformity and nonconformity in the 90s, analysing a variety of animes from this genre. Focuses on the demonization of  “butchness” and lesbianism as well as the sexualization of adolescent protagonists, through semantic and pragmatic analysis. … Continue reading Campanelli (2019) Gender Nonconformity and Lesbianism in the Magical Girl Genre

El Chami (2020) Gender and race representation in Disney

Takes an intersectional approach through content analysis of three Disney princess films from 2009-2016 featuring female leads of different races. Examines stereotypical women’s language forms (specifically empty adjectives, super polite forms and interruptions) seen in cross-sex interactions between female leads and male characters. Examples from scripts are provided. Results also consider the racial differences between … Continue reading El Chami (2020) Gender and race representation in Disney

Fadina (2016) Fairytale women

Explores how constructions of femininity can be manipulated through the reshaping of the Russian national past i.e. folklore, using a mixture of qualitative and empirical analysis. Focuses on stereotypes of female characters and the normalization of domestic abuse. Covers the history and ideology behind Russian/post-soviet animation, with a focus on women’s place in it. Analyses … Continue reading Fadina (2016) Fairytale women

Finley (2023) Defamiliarizied Gender in the Works of Hayao Miyazaki

Argues that Miyazaki’s films portray unconventionally strong female protagonists through defamiliarization, stating that the films Spirited Away and Kiki’s Delivery Service borrow from and rejects elements of Japanese culture to create characters and settings that evoke the defamiliarization of gender, e.g. in genderbent references to folklore and historical figures. Contains close analysis of the original … Continue reading Finley (2023) Defamiliarizied Gender in the Works of Hayao Miyazaki

Giunchigliani (2011) Gender transgressions of the Pixar villains

Explores whether the phenomenon of gender queering identified in Disney villains is also present in the films produced by Pixar. The appearances and behaviour of three male villains from Pixar's films are coded for stereotypical masculine and stereotypical queer features, and these are compared to existing findings on Disney villains. This thesis will be useful … Continue reading Giunchigliani (2011) Gender transgressions of the Pixar villains