Invitation to submit individual papers, panels, artworks, posters, and other creative formats
‘Mobilising’ utopia can provide important insights into intergenerational, multi-scalar, human and non-human interconnectivities across transport, traffic and mobilities. From Thomas More’s Utopia (1516) to Ruth Levitas’ Utopia as method (2013) and John Urry’s What is the future? (2016), utopia has been a powerful means to explore how societies have shaped, and have been shaped by, complex im|mobilities, from microbial to big data mobilities, from horse-drawn carriages to driverless cars, from migration to planetary jet streams. Faced with the global uncertainties of the Anthropocene, utopia provides renewed analytical and creative purchase.
This joint conference brings together historians, researchers, artists, policy-makers, designers, and innovators to explore Mobile Utopia: Pasts, Presents and Futures.
Lancaster’s Centre for Mobilities Research, the International Association for the History of Transport, Traffic and Mobility (T2M) and the Cosmobilities Network have joined together to invite contributions across the spectrum of mobile utopian themes. In addition, proposals may address any aspect of the history, and social, cultural, economic, technological, creative, ecological and political aspects of transport, traffic and mobility.
The celebrations that marked the 500th anniversary of the publication of Thomas More’s Utopia have been both global and wide-ranging. In his seminal work, More outlined his ideas around an alternative society living in a City of Man in contrast with former visions of the City of God. Five centuries later, we are part of a world where 54 per cent of the population live in cities (Worldbank 2015), and the trend is set to continue and increase, with the UN estimating that the world’s population is to reach 9.7 billion by 2050. This poses great challenges concerning natural resources, (food) security, clean water, energy, environmental and social justice, and more. This all involves mobilities of different kinds, operating at different spatial and temporal scales, with different motivations, processes, and consequences.
Utopia is an integrative method that can assist us when thinking about the relationship between societies and mobilities past, present, and future. It can help us trace the complex interconnections between the urban and the rural, the digital, oceanic, global, and planetary, the here-and-now and the longue durée. Utopia creates rich ground for contestation, as one person’s utopia can be another’s dystopia, and innovative visions followed through produce unintended consequences. From the UN’s Sustainable Development Goals to visions of a future where CO2 emissions are no longer the norm, utopia helps us challenge the past and present by imagining the future. As research has shown, transformations in governance, everyday practices, and exchanges between communities are key to the success or failure of these visions.
This call invites proposals exploring utopia as a heuristic and creative methodology – rather than as a narrative closed system – which challenges our assumptions about what has been possible in the past and what will be possible and preferable in the future. We invite reflections on the diverse dimensions of im|mobility adopting such a utopian perspective from any city, country or place, in relation to any theme, scale, or period in history. We encourage transnational, comparative, artistic, design-led, interdisciplinary and trans-modal approaches, and welcome proposals exploring theoretical or methodological issues as well as those of a more empirical nature. We invite different submission and presentation formats. Topics may include, but are not restricted to:
- Traffic, transport, mobilities and social futures
- Urban, rural, digital mobilities
- Space, geoengineering, planetary mobilities
- Intergenerational mobilities
- Embodiment, health, healing and wellbeing
- Civility, migration and citizenship
- Mobility justice, human rights and mobility
- Pasts, presents, futures of tourism
- Energy production and consumption
- Automation, autonomous machines, robotics
- Post-human ontology, phenomenology
- Critiques of the concept of anthropocene, non-human mobilities
- Sustainable mobilities
- Utopia in the ruins of capitalism and modernity
- Living alternatives
- Corporate mobilities futures
- Utopia as method
- Mobile utopias, dystopias, anti-utopias, beyond-utopias
- The history and heritage of mobile utopia
- Mobile Utopia & the state, globalization, cosmopolitanism
- Free-market and neoliberal utopia
- Values and moral orders of mobility and travel
- Arts practice and research as mobile utopia
Proposals can be for individual papers, panels, artworks, posters, and other creative formats as outlined below. We welcome relevant contributions from any academic perspective or discipline, from professionals, policy makers and practitioners, as well as artists and creative professionals, designers, and engineers. Recent entrants to the research field and doctoral students are very welcome.
The conference language is English.
|15 April 2017 (New deadline!)||Deadline for the submission of abstracts and sessions|
|5 May 2017||Notification of acceptance for abstracts and sessions|
|5 May 2017||Submission of artworks and posters|
|25 May 2017||Decision on travel grants|
|26 May 2017||Notification of acceptance for artworks and posters|
|15 June 2017||Early Bird registration closes|
|1 September 2017||Programme Deadline|
|1 October 2017||Submission of full papers and posters|
|2-5 November 2017||Conference|
Conference Format and Sessions
The conference aims to create an insightful, inspiring, creative and thought-provoking dialogue. To this aim, different types of sessions will foster exchange and discussion:
7/7 sessions: This means seven slides and seven minutes for each presentation. The sessions will have plenty of time for discussion. This will be supported by having both a chair and a discussant. Presenters shall focus on their main argument in order to avoid overly-complex presentations.
Debate sessions: Debate sessions have a maximum of five presenters. Each gives a five minutes focused input to the topic and this should be followed by discussion involving the audience. Led by a chair.
Experimental sessions: These sessions invite experimental ways of presenting, discussing and interacting. They can be experimental in relation to the papers/projects presented but they can also be experimental in relation to new formats for sessions (including ‘unconferencing’ formats like lightning talks, dotmocracy or café philosophique, participatory art or performance, and so forth).
Panel sessions: Panels consist of a chair and four paper presenters and one discussant (optional). Panels should include time for audience discussion. Each presenter has 20 minutes (15 min + 5 min for questions); papers are grouped thematically.
Art Stream: There will be an exhibition of art works within the conference and we invite proposals for new or existing works for exhibition, screening, performance, installation, sound art, locative media, event or other formats. Venues for these works are tbc in consultation with accepted proposals, and in collaboration with Lancaster Arts https://www.lancasterarts.org/. There are a small number of bursaries available for artists who work outside of full time academic posts.
Submission Website: http://ocs.sfu.ca/t2m/index.php/t2m/Mobilities2017
We invite a range of different submissions, especially encourage transnational, comparative and interdisciplinary approaches, and welcome proposals exploring theoretical, methodological, and empirical issues. If you have any questions, please contact firstname.lastname@example.org
Papers: Individual submission of a paper consists of an abstract (300 words) and a brief biography (100 words) including contact information. Papers will be grouped thematically by the programme committee and may become part of 7/7, experimental or panel sessions. You will be able to state a preference.
Sessions: A full, pre-organized 7/7, debate, experimental, or panel session. A session submission should include a title, summary of the session theme and the method chosen for facilitating discussion (300 words), as well as abstracts for each contribution (300 words). A short biography of each presenter is required (100 words), with contact information.
Artworks: Submission of art works consists of an abstract (300 words), a link to images and/or video of the work online (due to time limitations we can only view up to 3 minutes of video), a brief biography (100 words) including contact information, and a technical requirements document (1 page max) including dimensions, duration, light levels, and technical details for presentation of the work. Submissions of art works to this stream can be in addition to an abstract for another session.
Posters This is a great way to discuss early or exploratory work and present it as a Poster at the conference. Submission consists of an abstract (300 words) and a brief biography (100 words) including contact information. The full poster is due 1 September.
After Acceptance all abstracts will be made available to conference participants on the conference website. You also have the opportunity to submit a Full paper (5000 words). We strongly encourage the submission of full papers, which will be shared with all conference delegates. Authors whose contributions are accepted and who wish to submit a full paper will have until 1 October 2017 to do so. Papers will be made available in a restricted area for conference participants on the conference website, and, with your permission will be saved in the T2M archive.
All participants must register and pay the registration fee. Only one abstract per person.
|Early Bird (closes 15 June 2017)||£265|
|Early Bird T2M members*||£235|
|Late Registration Fee||£350|
|Early Bird Reduced*||£195|
|Early Bird Reduced* T2M members||£165|
* Further details are available on the Registration page. To qualify for the T2M member rates, you must provide evidence of membership. Become a member and get registration discounts along with a choice of journal subscriptions.
Reduced Fees are available for: Students, activists, artists, retirees, participants coming from ‘lower income’ and ‘lower middle income’ countries as defined by the World Bank. All Latin American countries. You will be requested to provide proof of status.
The link to the registration will be live here soon.
Graduates and doctoral students and participants from developing countries whose submissions have been accepted may apply for travel grants of up to £250. A limited number of grants are available. Please complete the Travel Grant Application form, detailing the cost of travel, and send it to email@example.com. Applications must be received by 25 May, decisions will be made by 12 June 2017.
Bursaries for exhibiting Artists
Artists outside full-time academia whose exhibition submissions have been accepted may apply for a bursary including fee waiver and a travel grant of up to £250. A limited number of grants are available. Please complete the Travel Grant Application form, detailing your costs and whether you are also applying for the fee waiver, and send it to firstname.lastname@example.org. Applications must be received by 25 May, decisions will be made by 12 June 2017.