Not Work!

Dear Blog,

I’m in bed with my second cold of the semester, but since I am also on STRIKE (http://www.ucu.org.uk/index.cfm?articleid=581) I have decided to write a blog post that isn’t about work (well, not directly at least).

Some time ago now, early in November, I went to a Close Up event in Manchester, where the DJ Dave Haslem interviewed novelist Jeffrey Eugenides. It was a wonderful event. I loved Middlesex and Eugenides’s new novel The Marriage Plot is calling out from my shelf to be read (it will have to wait until the Christmas holidays unfortunately). It sounded excellent from the reading that Eugenides gave at the event, with particular interest for English folk. Part of the plot involves a character’s struggle with the ideas in Roland Barthes’s A Lover’s Discourse in her University semiotics class.

A friend recently alerted me to a number of Frankenstein-related projects mentioned in a summer edition of Empire film magazine, which show that the ideas of the novel at least are still alive in the popular imagination. There is speculation that the SF director Shawn Levy may be planning something and if so, according to Empire, this film would join at least five other projects in various stages of planning! These include ‘Universal’s long-planned Guillermo del Toro pic […], Stuart Beattie’s I, Frankenstein, Peter Ackroyd adaptation The Casebook of Victor Frankenstein at Ghost House Pictures, Summit’s This Dark Endeavour [and] Tim Burton’s animated Frankenweenie’ (http://www.empireonline.com/news/story.asp?NID=31870). The range of interest is brilliant I think.

I read today that there’s a new exhibition in Paris, curated by ex-footballer Lillian Thuram, called Human Zoo: The Invention of the Savage, which looks at the global phenomenon (only ended in 1958!) of displaying human ‘exhibits’, including the story of the famous nineteenth-century Saartjie Baartman, a Khoikoi woman from South Africa, who was displayed as the ‘Hottentot Venus: http://www.guardian.co.uk/world/2011/nov/29/huam-zoo-paris-exhibition. The idea of this now is abhorrent; Thuram is adamant that these ‘freak shows’ explain the fear of ‘the other’ that continues to persist today.

To end with, I do hope that you are all supporting the strike action. It’s for a very important cause: public sector pensions are being dismantled before our very eyes.

Best,

Sharon

Bergen and the Manchester Science Festival

Dear blog,

I’m deep in the midst of marking at the moment and it’s a welcome break to write this and think about something else! I went to the Literature and Chemistry: Elective Affinities conference last week at the University of Bergen in Norway (http://www.uib.no/fg/litt_vit/nyheter/2011/04/literature-and-chemistry). It was an interesting idea, to bring together literary scholars and chemists to talk about the relationships between literature and chemistry. Our hosts were absolutely wonderful and Bergen itself is lovely. The conference tended to focus on a few key authors, particularly Primo Levi, Goethe, and Davy had a fair few mentions too.

Though it was interdisciplinary in one sense, particularly in the mix of people who were present, it wasn’t really in other senses. While I might not have understood at all, I would have liked to have heard the chemists speaking more on their own subject rather than on literature since their lack of expertise in our subject led to papers that dealt with biographies or synopses of texts. One chemist did offer something that I certainly could not have presented myself; he went through the episodes in Levi’s The Periodic Table, where Levi systematically stole what he could from the chemistry lab in Auschwitz and tried to create sustenance from these things. Professor Luigi Dei, from the University of Florence, explained the chemical formula of these items and went through the chemical processes Levi attempted until he was successful in making cigarette lighters with the elements he had stolen and sold these for food. Other great papers came from the literature scholars – Robert Gordon from Cambridge (again on Levi), Folkert Degenring from the University of Kassel on science fiction, George Rousseau from Oxford on Ludwig Boltzman, and Dominic Rainsford from the University of Arhus on Wordsworth. The latter paper was incredibly suggestive I thought. Dominic used the chemical process used to produce a precipitate to argue that in many of the situations Wordsworth explores in the Lyrical Ballads, the poet places himself as a ‘sensitive and unstable mixture’ in a unstable context and a reaction occurs, which leaves the reader with some kind of product (the precipitate), in the form of, perhaps, a changed view of the world.

I can report too that the event for the Manchester Science Festival on 24th October went well. We had 41 attendees in the end. I gave the lecture part of it and then Wahida Amin, a Phd student working on Davy’s poetry, gave out a selection of poems to participants in groups and they discussed them. It was a fun evening and it was good to be able to show people poems that are not particularly easy to access or in the public domain.

Now back to this marking…

Sharon