Taşkin, H ve Inanç. (2023) Reflections of the Female Identity Constructions in Animation Movies: An Analysis on Disney and Hayao Miyazaki Movies

Looks at the semiotics and visual representations of women in a range of Hayao Miyazaki and Disney films between 1984 to 2022. Detailed discussion on socially constructed gender roles and how they are reflected in the animated films of those times. The article focuses on visual framing of animated women, paying attention to body types, … Continue reading Taşkin, H ve Inanç. (2023) Reflections of the Female Identity Constructions in Animation Movies: An Analysis on Disney and Hayao Miyazaki Movies

Thompson and Zerbinos (1995) Gender roles in animated cartoons

Examines male and female characters over 175 episodes of 41 different animated cartoons from the 1990’s to assess for their association with stereotypical gender roles and how they compare to previous studies on cartoons from the 1970’s. Only quantitative analysis with no examination of specific linguistic features in context, however good for a general overview … Continue reading Thompson and Zerbinos (1995) Gender roles in animated cartoons

Zulkifli & Haris (2021) Brave (2012) vs Puteri (2014): The Representation of Androgyny Characters

Explores the breaking of feminine performance by princesses in both Brave (2012) and Malaysian TV show “Puteri”(2014). Contains textual analysis of the representation of androgyny, with focus on the lexis associated with femininity, masculinity and neutrality in the animations but also more broadly within south-east Asian societies. Focuses on personality characteristics, norms and social desirability … Continue reading Zulkifli & Haris (2021) Brave (2012) vs Puteri (2014): The Representation of Androgyny Characters

Zurru (2010) Breaking the Crystal Shoe

Conducts a multimodal stylistic analysis of the ‘Shrek’ saga’s portrayal of the character of Cinderella. Incorporates some linguistic analyses of multiple extracts across the first three ‘Shrek’ films, focusing specifically on the subversion and ‘exploitation’ of gendered stereotypes created in the original Disney film. This paper would be useful for those interested in a more … Continue reading Zurru (2010) Breaking the Crystal Shoe