Explores how constructions of femininity can be manipulated through the reshaping of the Russian national past i.e. folklore, using a mixture of qualitative and empirical analysis. Focuses on stereotypes of female characters and the normalization of domestic abuse. Covers the history and ideology behind Russian/post-soviet animation, with a focus on women’s place in it. Analyses four archetypes of female characters in animations adapted from Russian folklore – “Ved’mi” (Those Who Know) – Witches, “Nevesti” (Those Who Do not Know) – Brides, “Po Schuchemu Veleniu” (As the Pike Orders) and “Tsarevna Lyagushka” (The Frog Princess)”. This thesis would be useful for those interested in the impact of political systems on animation, as well as Russian gender roles and representations.