I am thrilled to present ‘FLEAS,’ a deeply personal film that delves into the complexities of poverty and class stereotypes in the UK. Drawing from my own experiences, the film confronts the dichotomy of a society struggling with economic disparity while dismissing the struggles of its most vulnerable citizens.

Inspired by Surrealist and German Expressionist movements, ‘FLEAS’ utilises a vivid visual language to critique prevailing views of lower class citizens in the UK. Through the use of symbols and liminal spaces, the film invites viewers to intellectually engage with their own perceptions of class and the artificiality of societal stereotypes. I engage with Kammerspide techniques in German Expressionist films to create a claustrophobic atmosphere reflective of being pigeonholed by class stereotypes.

The pre-production process utilises surrealist techniques, liberating the mind, as to reflect on the constraints imposed by socio-political constraints and stereotypes.

I am immensely proud of the cast and crew who brought my unique and strange vision to life. I am grateful for the opportunity to showcase the resilience and complexity of individuals often marginalised by society.

All of these elements are designed to create active spectatorship and I encourage viewers to engage with the poetic layers of ‘FLEAS,’ exploring the range of interpretations embedded within its symbolism. These levels of multiple interpretation reflect how people are not monoliths and can choose what they want to become.

At its core, ‘FLEAS’ seeks to dismantle the confines of class constructs, challenging viewers to see beyond surface-level assumptions.