As a female filmmaker, this is certainly not an easy thing to do. But it cannot be denied, the development of female directors is currently getting wider. With various polemics that continue to be felt by women such as the endless terror of fear, have we ever thought that the one who prolongs this fear is the woman herself. In this fast-paced era, there are still those who fail to understand what the women’s movement or so-called feminist movement is, feminists are still read as an arrogant and anti-criticism movement, including by women. With that in mind, I created a film with an experimental format as my attempt to redeem the boundaries of a woman’s fear of power (metaphorized as being a mother). This work is part of the final project research of the film and television department of UPI, Indonesia.

Raised through stories passed down from previous generations, Indonesia once had a history of being led by a woman as president, which we usually call “First Lady” is the spouse of the president. But at that time, the first lady who led directly tended to have an unfavorable record. She also has the identification of the color red as part of her identity. Through this idea, the movie is created as a “red world of women’s fears”, with red artistry from all aspects and the body performance of the actors who present various expressions of their views on women’s fears.

The choice of experimental-narrative film format is a consideration that the audio-visual language (moving images) presented is a universal language, I believe that even though experimental films are not a common medium for the public, these films can offer an interesting dialog after screening.