{"id":349,"date":"2023-10-30T18:56:31","date_gmt":"2023-10-30T18:56:31","guid":{"rendered":"https:\/\/wp.lancs.ac.uk\/temporalities\/?page_id=349"},"modified":"2023-10-30T18:58:42","modified_gmt":"2023-10-30T18:58:42","slug":"pip-dickens","status":"publish","type":"page","link":"https:\/\/wp.lancs.ac.uk\/temporalities\/pip-dickens\/","title":{"rendered":"PD Biography"},"content":{"rendered":"<p><span style=\"font-family: 'times new roman', times\">Pip Dickens (b. 1962) is a painter. She has a Masters in Fine Art from The Slade School of Art University College London, graduating in 2000. She is Lecturer in Fine Art (Painting) at Lancaster University and Fellow of the Higher Education Academy and Member of The National Association for Fine Art Education.<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times\">She has had many solo and group exhibitions and her work is in num<\/span>erous public, commercial and private collections in the UK and overseas including <a href=\"https:\/\/www.pip-dickens.com\/wood-series\">charcoal drawings<\/a> in the Prints &amp; Drawings Collection at the British Museum and paintings in the Bradford Museums and Galleries collection and The Stanley &amp; Audrey Burton Gallery at the University of Leeds.<br \/>\nShe was the <a href=\"https:\/\/www.leverhulme.ac.uk\/former-schemes\/shibusa-%E2%80%93-extracting-beauty\">Leverhulme Trust Award Artist in Residence<\/a> at the University of Huddersfield, Department of Music collaborating with composer, <a href=\"https:\/\/pure.hud.ac.uk\/en\/persons\/monty-adkins\">Professor Monty Adkins<\/a> on synergy between music and painting through research of Japanese aesthetics.\u00a0 She undertook research in Kyoto and co-authored a book <a href=\"https:\/\/www.pip-dickens.com\/copy-of-exhibitions\">\u2018Shibusa &#8211; Extracting Beauty\u2019<\/a> with Adkins.\u00a0 She contributed a chapter: <a href=\"https:\/\/www.taylorfrancis.com\/books\/edit\/10.4324\/9781003086635\/sensory-arts-design-ian-heywood?refId=91f5db5e-37c7-49f9-815a-db162f43037c\">&#8216;A Choreography of the Senses &#8211; The Painter&#8217;s Studio&#8217; (Chapter 13) in <\/a>Heywood, I. (Ed.). (2017). <a href=\"https:\/\/www.taylorfrancis.com\/books\/edit\/10.4324\/9781003086635\/sensory-arts-design-ian-heywood?refId=91f5db5e-37c7-49f9-815a-db162f43037c\">Sensory Arts and Design<\/a><a href=\"https:\/\/www.taylorfrancis.com\/books\/edit\/10.4324\/9781003086635\/sensory-arts-design-ian-heywood?refId=91f5db5e-37c7-49f9-815a-db162f43037c\"> published by Routledge, London.\u00a0 She participated in the exhibition and contributed text to <\/a><a href=\"https:\/\/www.beameditions.uk\/store\/enough-is-definitely-enough-by-andrew-bracey\">&#8216;Enough is Definitely Enough&#8217;<\/a> by Andrew Bracey &#8211; a 2021 publication illustrating three touring exhibitions of 62 artists responses to the famous Velazquez painting, <a href=\"https:\/\/www.pip-dickens.com\/copy-of-mirror-series\">&#8216;Las Meninas&#8217;<\/a> with contributions by participating artists (including Pip Dickens).<\/p>\n<p><strong>Painting Practice<\/strong><\/p>\n<p>Concepts of illusion and double meaning are recurring themes &#8211; The notion that we may receive two contrasting visual (or intellectual) responses to a single stimulant.\u00a0 Her painting methodology is determined by the subject matter and often juxtaposes conventional painting techniques with innovative methods to create unusual surfaces, layers and textures. Depth and surface contrasts utilising translucency are particularly important in her work.<\/p>\n<p>Her work draws upon many sources from natural phenomena to the darker elements of phantasmagoria exploring light, darkness, shadow, clouds, atmospheres and how our senses and psyche respond to them. Cinematographic and literary sources feature prominently.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pip Dickens (b. 1962) is a painter. She has a Masters in Fine Art from The Slade School of Art University College London, graduating in 2000. She is Lecturer in Fine Art (Painting) at Lancaster University and Fellow of the Higher Education Academy and Member of The National Association for Fine Art Education. She has [&hellip;]<\/p>\n","protected":false},"author":1651,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-349","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/pages\/349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/users\/1651"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/comments?post=349"}],"version-history":[{"count":2,"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/pages\/349\/revisions"}],"predecessor-version":[{"id":352,"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/pages\/349\/revisions\/352"}],"wp:attachment":[{"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/media?parent=349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}