{"id":248,"date":"2023-07-03T21:43:54","date_gmt":"2023-07-03T21:43:54","guid":{"rendered":"https:\/\/wp.lancs.ac.uk\/temporalities\/?page_id=248"},"modified":"2023-07-03T21:44:10","modified_gmt":"2023-07-03T21:44:10","slug":"biography","status":"publish","type":"page","link":"https:\/\/wp.lancs.ac.uk\/temporalities\/andrew-bracey\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-247\" src=\"http:\/\/wp.lancs.ac.uk\/temporalities\/files\/2023\/07\/Andrew-by-Annie-Morrad-200x300.jpg\" alt=\"\" width=\"657\" height=\"985\" srcset=\"https:\/\/wp.lancs.ac.uk\/temporalities\/files\/2023\/07\/Andrew-by-Annie-Morrad-200x300.jpg 200w, https:\/\/wp.lancs.ac.uk\/temporalities\/files\/2023\/07\/Andrew-by-Annie-Morrad-683x1024.jpg 683w, https:\/\/wp.lancs.ac.uk\/temporalities\/files\/2023\/07\/Andrew-by-Annie-Morrad-768x1152.jpg 768w, https:\/\/wp.lancs.ac.uk\/temporalities\/files\/2023\/07\/Andrew-by-Annie-Morrad-1024x1536.jpg 1024w, https:\/\/wp.lancs.ac.uk\/temporalities\/files\/2023\/07\/Andrew-by-Annie-Morrad-1365x2048.jpg 1365w, https:\/\/wp.lancs.ac.uk\/temporalities\/files\/2023\/07\/Andrew-by-Annie-Morrad-1200x1800.jpg 1200w, https:\/\/wp.lancs.ac.uk\/temporalities\/files\/2023\/07\/Andrew-by-Annie-Morrad-1980x2970.jpg 1980w, https:\/\/wp.lancs.ac.uk\/temporalities\/files\/2023\/07\/Andrew-by-Annie-Morrad-scaled.jpg 1707w\" sizes=\"auto, (max-width: 657px) 100vw, 657px\" \/><\/p>\n<p><span style=\"font-family: 'times new roman', times\">Andrew Bracey\u00a0is\u00a0an artist based in Waddington, Lincolnshire.\u00a0His work explores the slippages between\u00a0the original\/reproduction,\u00a0artist\/curator, painter\/painting;\u00a0and emphasises the importance of looking, attentiveness and materiality in appropriation.\u00a0His\u00a0current\u00a0PhD by Practice is exploring how contemporary artists use historical paintings to initiate a dialogue between the past and the contemporary;\u00a0through the metaphor of the parasite and mutualism,\u00a0and\u00a0his\u00a0term,\u00a0<em>Parasitical Painter<\/em>.\u00a0 Bracey\u00a0is\u00a0co-leading a research project,\u00a0<em>Bummock<\/em><em>: Artists and Archives<\/em>,\u00a0with Danica Maier;\u00a0and working on an (potentially lifelong) curatorial project,\u00a0<em>Midpointness<\/em>,\u00a0with Steve Dutton. He has a studio at General Practice in Lincoln, a collective of artists and curators.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: 'times new roman', times\">Bracey\u2019s solo exhibitions include:\u00a0Project Space Plus, Lincoln; (2019); Isherwood gallery, Wigan (2017); Usher Gallery, Lincoln (2014); Nottingham Castle (2014);\u00a0Manchester Art Gallery (2009); Transition Gallery, London (2007) and\u00a0firstsite, Colchester (2006). He has been featured in over 150 group shows\u00a0in the UK, USA,\u00a0China, Thailand, Australia and across Europe; partaken in national and international residencies;\u00a0 presented his research at art and academic conferences; written journal articles;\u00a0and\u00a0has\u00a0curated\u00a0many exhibitions\u00a0including\u00a0<em>Midpointness<\/em>, Airspace Gallery, Stoke-on-Trent (with Steve Dutton, 2016);\u00a0<em>(detail)<\/em>, H-Project Space, Bangkok and touring (2014-15);\u00a0<em>Misdirect Movies<\/em>, Royal Standard, Liverpool, and touring\u00a0(with John\u00a0Rimmer, 2013); and\u00a0<em>Unspooling: Artists &amp; Cinema<\/em>,\u00a0Cornerhouse, Manchester (with Dave Griffiths, 2010).\u00a0Bracey\u2019s solo authored book <em>Enough is Definitely Enough <\/em>developed from his curated exhibition and is published by Beam Editions. His work as an artist and curator has been reviewed\/profiled in many publications including Art Monthly, Contemporary, The Times, The Guardian, Flux, The Metro, BBC Radio 4, Double Negative, Creative Tourist and Studio International.\u00a0\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: 'times new roman', times\">He has extensive experience of teaching art over twenty years and taught at Universities including Wolverhampton University, Salford University, Manchester Metropolitan University and Liverpool John\u00a0Moores\u00a0University. He is\u00a0a Senior Lecturer and Programme\u00a0Leader of MA Fine Art at The University of Lincoln.\u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times\">\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times\"><a href=\"https:\/\/eur02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.general-practice.net%2Fcopy-of-artist-template&amp;data=04%7C01%7Cquinj%40live.lancs.ac.uk%7C15be745c9df74ebd284608d9de81deb8%7C9c9bcd11977a4e9ca9a0bc734090164a%7C0%7C0%7C637785472550173845%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=VS3tpXHcBNA0pr%2FcLtu5wvdZMZN5eWajarn8hlennEM%3D&amp;reserved=0\">https:\/\/www.general-practice.net\/copy-of-artist-template<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: 'times new roman', times\"><a href=\"https:\/\/eur02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.instagram.com%2Fdarthbracey%2F&amp;data=04%7C01%7Cquinj%40live.lancs.ac.uk%7C15be745c9df74ebd284608d9de81deb8%7C9c9bcd11977a4e9ca9a0bc734090164a%7C0%7C0%7C637785472550173845%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=2C6mVa%2FHQoYqqK1yqIYqUqzJTFwpa5kiGfuYCE9kSbc%3D&amp;reserved=0\">https:\/\/www.instagram.com\/darthbracey\/<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Andrew Bracey\u00a0is\u00a0an artist based in Waddington, Lincolnshire.\u00a0His work explores the slippages between\u00a0the original\/reproduction,\u00a0artist\/curator, painter\/painting;\u00a0and emphasises the importance of looking, attentiveness and materiality in appropriation.\u00a0His\u00a0current\u00a0PhD by Practice is exploring how contemporary artists use historical paintings to initiate a dialogue between the past and the contemporary;\u00a0through the metaphor of the parasite and mutualism,\u00a0and\u00a0his\u00a0term,\u00a0Parasitical Painter.\u00a0 Bracey\u00a0is\u00a0co-leading a research [&hellip;]<\/p>\n","protected":false},"author":1651,"featured_media":0,"parent":111,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-248","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/pages\/248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/users\/1651"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/comments?post=248"}],"version-history":[{"count":1,"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/pages\/248\/revisions"}],"predecessor-version":[{"id":249,"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/pages\/248\/revisions\/249"}],"up":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/pages\/111"}],"wp:attachment":[{"href":"https:\/\/wp.lancs.ac.uk\/temporalities\/wp-json\/wp\/v2\/media?parent=248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}