{"id":248,"date":"2017-12-07T15:22:50","date_gmt":"2017-12-07T15:22:50","guid":{"rendered":"http:\/\/wp.lancs.ac.uk\/subtext\/?p=248"},"modified":"2018-01-05T15:47:47","modified_gmt":"2018-01-05T15:47:47","slug":"mark-thomas-a-show-that-gambles-on-the-future-a-review","status":"publish","type":"post","link":"https:\/\/wp.lancs.ac.uk\/subtext\/2017\/12\/07\/mark-thomas-a-show-that-gambles-on-the-future-a-review\/","title":{"rendered":"MARK THOMAS: A SHOW THAT GAMBLES ON THE FUTURE. A REVIEW"},"content":{"rendered":"<p><span style=\"font-family: 'courier new', courier, monospace\">Mark Thomas was back at the Dukes on Wednesday 29th November. After last year&#8217;s poignant, moving and very funny theatre show &#8216;The Red Shed&#8217; (see subtext 156) he returned to the Dukes with more traditional stand-up fare. This time it&#8217;s just him, a microphone, a few scraps of paper and some betting odds. We are here, Thomas tells us, to work together as a group. Our job is to vote (with our cheers) for the best prediction of the future proffered by our fellow audience members pre-show.<\/span><\/p>\n<p><span style=\"font-family: 'courier new', courier, monospace\">After Brexit and Trump (and UA92), who really knows what&#8217;s going to happen next? None of us, of course. Recent events have been so unexpected we cannot be any less accurate than the experts. Don&#8217;t look to Mark Thomas, either \u2013 he&#8217;s not offering any answers here, instead he is channeling our collective cluelessness into two hours of cathartic entertainment in which we laugh, not just at the world, but at our own divergent understandings of it.<\/span><\/p>\n<p><span style=\"font-family: 'courier new', courier, monospace\">The audience were canvassed in the bar with slips of paper which invited them to guess one thing that might happen in the future, be it outlandish or predictable, and Thomas spends most of the time simply reading through them and discussing the subjects they bring up, occasionally referring to contributions from past shows. The idea is that he and the audience single out their favourite prediction by a vaguely democratic &#8216;biggest cheer\u201d process. At the end of the show donations are thrown in a bucket by the door, which we are told will be placed on the winner, and if it wins, the cash will be given to a worthwhile cause.<\/span><\/p>\n<p><span style=\"font-family: 'courier new', courier, monospace\">So it&#8217;s a simple enough idea to get a bit of banter going, ad-libbed as well as scripted, although there&#8217;s plenty that Thomas would have known to expect. &#8216;Trump will be assassinated\/impeached&#8217;, &#8216;there will be a UK general election within the next year&#8217; and (big cheer for this) &#8216;Jeremy Corbyn will be Prime Minister&#8217; are all hurried through. As ever at a Mark Thomas gig, the left-leaning converted are being preached to, even though Thomas himself seems keen to engage in discussion with all comers.<\/span><\/p>\n<p><span style=\"font-family: 'courier new', courier, monospace\">Compared to the heart-stopping suspension and heart-breaking tenderness of &#8216;The Red Shed&#8217;, this show might seem a little slight. But he&#8217;s still Mark Thomas, which means we&#8217;re treated to the best kind of hilarious political rantings, underscored by stories about his upbringing and, in particular, his father, whose rare mix of religious devotion and fiery temperament is another telling influence on the comic. Throughout these tales Thomas proves to be an energetic and compelling raconteur, weaving narratives which take the audience along with him, offering insights into the unorthodox upbringing of a man who retains a smouldering anger at injustice.<\/span><\/p>\n<p><span style=\"font-family: 'courier new', courier, monospace\">This Lancaster audience voted for the bet that &#8216;EU immigrants would &#8216;club together&#8217; and buy the Daily Mail&#8217;. And people as they left the theatre dutifully threw their pound coins into the bucket \u2013 Mark did not tell us what odds we would get on this particular bet!<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mark Thomas was back at the Dukes on Wednesday 29th November. After last year&#8217;s poignant, moving and very funny theatre show &#8216;The Red Shed&#8217; (see subtext 156) he returned to the Dukes with more traditional stand-up fare. This time it&#8217;s &hellip; <a href=\"https:\/\/wp.lancs.ac.uk\/subtext\/2017\/12\/07\/mark-thomas-a-show-that-gambles-on-the-future-a-review\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":568,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[161,14,178,100],"class_list":["post-248","post","type-post","status-publish","format-standard","hentry","category-review","tag-comedy","tag-dukes","tag-issue-170","tag-mark-thomas"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p99sHo-40","jetpack-related-posts":[{"id":159,"url":"https:\/\/wp.lancs.ac.uk\/subtext\/2017\/11\/09\/queen-albert\/","url_meta":{"origin":248,"position":0},"title":"QUEEN ALBERT","author":"Johnny Unger","date":"November 9 2017","format":false,"excerpt":"Your cultural correspondent squeezed into a packed Dukes on Monday (6th November) to watch a screening of 'The Death of Stalin' - a brilliant film, a creative mixture of grim and laugh out loud funny. This was followed by a question and answer session with one of the screenwriters on\u2026","rel":"","context":"In &quot;review&quot;","block_context":{"text":"review","link":"https:\/\/wp.lancs.ac.uk\/subtext\/category\/review\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":166,"url":"https:\/\/wp.lancs.ac.uk\/subtext\/2017\/11\/09\/down-a-painful-memory-lane\/","url_meta":{"origin":248,"position":1},"title":"DOWN A PAINFUL MEMORY LANE","author":"Johnny Unger","date":"November 9 2017","format":false,"excerpt":"Readers may recall that during our review of the last Mark Thomas gig at the Dukes we promised you tell more about the University and the Miners' Strike of 1984\/85. The return of Mark Thomas to the Dukes on the 29th November (of which we hope to offer a review)\u2026","rel":"","context":"In &quot;history&quot;","block_context":{"text":"history","link":"https:\/\/wp.lancs.ac.uk\/subtext\/category\/history\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":65,"url":"https:\/\/wp.lancs.ac.uk\/subtext\/2017\/10\/12\/theatre-review-the-suitcase\/","url_meta":{"origin":248,"position":2},"title":"THEATRE REVIEW: THE SUITCASE","author":"Johnny Unger","date":"October 12 2017","format":false,"excerpt":"Lancaster University had yet another works outing at the Dukes on the 28th September. Your correspondent is sure there were some people at the show who were not Lancaster University employees but that particular evening it did feel that they were very much in the minority. They were gathered to\u2026","rel":"","context":"In &quot;review&quot;","block_context":{"text":"review","link":"https:\/\/wp.lancs.ac.uk\/subtext\/category\/review\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":385,"url":"https:\/\/wp.lancs.ac.uk\/subtext\/2018\/03\/01\/review-dave-spikey-a-juggler-on-a-motorbike\/","url_meta":{"origin":248,"position":3},"title":"REVIEW: DAVE SPIKEY, A JUGGLER ON A MOTORBIKE","author":"Johnny Unger","date":"March 1 2018","format":false,"excerpt":"Dave Spikey played the Grand Theatre on the night of the first day of the industrial action. However, no mention of strikes, Brexit, Trump, or Boris in this act: the gathered throng was treated to two hours of beautifully crafted mini tales and sketches based around the story of his\u2026","rel":"","context":"In &quot;review&quot;","block_context":{"text":"review","link":"https:\/\/wp.lancs.ac.uk\/subtext\/category\/review\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":459,"url":"https:\/\/wp.lancs.ac.uk\/subtext\/2018\/03\/15\/letters-10\/","url_meta":{"origin":248,"position":4},"title":"LETTERS","author":"Johnny Unger","date":"March 15 2018","format":false,"excerpt":"Dear subtext, This week our VC wrote to tell us that Lancaster would have supported the ACAS deal. But it is also true Lancaster would have supported the original UUK\/USS proposal (perhaps reluctantly) which amounted to little less than criminal theft of our pensions. This week our VC also wrote\u2026","rel":"","context":"In &quot;letters&quot;","block_context":{"text":"letters","link":"https:\/\/wp.lancs.ac.uk\/subtext\/category\/letters\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":467,"url":"https:\/\/wp.lancs.ac.uk\/subtext\/2018\/03\/15\/review-courtney-pine-and-the-inner-city-ensemble\/","url_meta":{"origin":248,"position":5},"title":"REVIEW: COURTNEY PINE AND THE INNER CITY ENSEMBLE","author":"Johnny Unger","date":"March 15 2018","format":false,"excerpt":"Following Dave Spikey\u2019s show at the Grand (subtext 174), your correspondent visited the same theatre to see quite a different artist a few days later, along with some familiar faces from Freehold and other Lancaster environs, plus some well-known faces from the University. They had come to see Courtney Pine.\u2026","rel":"","context":"In &quot;review&quot;","block_context":{"text":"review","link":"https:\/\/wp.lancs.ac.uk\/subtext\/category\/review\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/posts\/248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/users\/568"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/comments?post=248"}],"version-history":[{"count":1,"href":"https:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/posts\/248\/revisions"}],"predecessor-version":[{"id":249,"href":"https:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/posts\/248\/revisions\/249"}],"wp:attachment":[{"href":"https:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/media?parent=248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/categories?post=248"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/tags?post=248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}