REVIEW: DAVE SPIKEY, A JUGGLER ON A MOTORBIKE

Dave Spikey played the Grand Theatre on the night of the first day of the industrial action. However, no mention of strikes, Brexit, Trump, or Boris in this act: the gathered throng was treated to two hours of beautifully crafted mini tales and sketches based around the story of his comedy career. Dave had been working in the NHS for 19 years as a Biomedical Scientist when in 1987 someone uttered the immortal words, ‘You’re really funny, you should be a comedian’. Only a few months later he won the national talent show ‘Stairway to the Stars’, clinching the award with a routine about a juggler on a motorbike. Thirteen years later on Friday 13th October 2000, he switched off his microscope for good and now in 2017/18 his tour celebrates the 30th anniversary of his comedy career. In the show, he looks back on his life and his journey from working class kid to Chief Biomedical Scientist to much-loved comedy performer and writer.

All of this was populated with various larger than life characters – lots of references to his work on ‘Phoenix Nights’, which produced giggles of recognition from the audience. Very little swearing and when he did it was for effect, although many stories were quite filthy in a very British innuendo fashion. For a lot of the audience the trip down his childhood memory lane evoked a degree of nostalgic pleasure. This was all delivered in a down-to-earth ‘Northern’ way, his interplay and analysis the basis for clever, laugh-after-every-line comedy. He is not only a very funny accomplished comedian, but also one of the finest raconteurs around – your cultural correspondent cried with laughter on more than one occasion.

The audience also gave your correspondent pause for thought. The packed theatre was full of white, predominantly older couples – leaving the Grand is always a slow affair but this evening seemed an even more laborious business. While not conducting a rigorous survey, your correspondent was also of the opinion that he was the only member of the audience employed by the University. Please write in to prove him wrong but this is not the first time that he has been struck by the different socio-demographic groups that attend the Dukes and the Grand, two theatres a hundred yards apart from each other.

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