{"id":337,"date":"2021-02-02T21:47:29","date_gmt":"2021-02-02T21:47:29","guid":{"rendered":"http:\/\/wp.lancs.ac.uk\/decolonising\/?page_id=337"},"modified":"2021-02-02T21:47:29","modified_gmt":"2021-02-02T21:47:29","slug":"english-literature-and-creative-writing","status":"publish","type":"page","link":"https:\/\/wp.lancs.ac.uk\/decolonising\/english-literature-and-creative-writing\/","title":{"rendered":"English Literature and Creative Writing"},"content":{"rendered":"<p><strong>This is a non-exhaustive list compiled by colleagues in English Literature and Creative Writing February 2021<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Print Media<\/strong><\/h2>\n<h3><strong>Non-fiction<\/strong><\/h3>\n<p>Patricia Akhimi, <em>Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World<\/em> (Routledge, 2020)<\/p>\n<p>Linda Alcoff, \u2018The Problem of Speaking for Others&#8217;, <em>Cultural Critique<\/em>, 20 (1991-1992): 5-32<\/p>\n<p>Gloria Anzald\u00faa Gloria and Cherr\u00ede Moraga (eds), <em>This Bridge Called My Back: Writings by Radical Women of Color<\/em> (State University of New York Press, (1983 [2015])<\/p>\n<p>Anna Ball and Karim Matar (eds), <em>The Edinburgh Companion to the Postcolonial Middle East <\/em>(Edinburgh UP, 2018)<\/p>\n<p>Carolyn Betensky, \u2018Casual Racism in Victorian Literature\u2019, <em>Victorian Literature and Culture<\/em> 47. 4 (2019): 723-751<\/p>\n<p>Brenna Bhandar and Rafeef Ziadeh (eds),\u00a0<em>Revolutionary Feminisms: Conversations on Collective Action and Radical Thought\u00a0<\/em>(Edinburgh UP, 2020)<\/p>\n<p>Frederick Douglass, <em>Narrative of the Life of Frederick Douglass, an American Slave <\/em>(1845)<\/p>\n<p>Imtiaz Habib, <em>Black Lives in the English Archives 1500-1677<\/em> (Routledge, 2007)<\/p>\n<p>Kim F. Hall, <em>Things of Darkness: Economies of Race and Gender in Early Modern England<\/em> (Cornell UP, 1995)<\/p>\n<p>Margo Hendricks and Patricia Parker (eds), <em>Women, \u2018Race\u2019 and Writing in the Early Modern Period<\/em> (Routledge, 1994)<\/p>\n<p>Geraldine Heng, <em>The Invention of Race in the European Middle Ages<\/em> (Cambridge UP, 2018)<\/p>\n<p>Nalo Hopkinson, <em>Report from Planet Midnight<\/em> (PM Press, 2012)<\/p>\n<p>Nalo Hopkinson and Uppinder Mehan (eds<em>), So Long Been Dreaming: Postcolonial Science Fiction and Fantasy<\/em> (Arsenal Pulp Press, 2011)<\/p>\n<p>Priyamvada Gopal, <em>Insurgent Empire: Anticolonial Resistance and British Dissent <\/em>(Verso, 2019)<\/p>\n<p>Graham Huggan (ed),\u00a0<em>The Oxford Handbook of Postcolonial Studies <\/em>(Oxford UP, 2013)<\/p>\n<p>Reina Lewis and Sara Mills (eds), <em>Feminist Postcolonial Theory: A Reader<\/em>\u00a0(Edinburgh UP, 2003)<\/p>\n<p>Ania Loomba, <em>Colonialism\/Postcolonialism\u00a0<\/em>(Oxford UP, 1998 [2015])<\/p>\n<p>Robin R. Means Coleman, <em>Horror Noire: Blacks in American Horror Films from the 1890s to Present<\/em> (Routledge, 2011)<\/p>\n<p>Ankhi Mukherjee, <em>What is a Classic? Postcolonial Rewriting and Invention of the Canon <\/em>(Stanford UP, 2014)<\/p>\n<p>Susheila Nasta and Mark Stein (eds). <em>The Cambridge History of Black and Asian British Writing<\/em>\u00a0(CUP, 2019)<\/p>\n<p>Alina O\u2019Donnell, \u2018Windows, Mirrors, and Sliding Glass Doors: The enduring impact of Rudine Sims Bishop\u2019s work\u2019, <em>Literacy Today,<\/em> 36.6 (2019): 16\u201319<\/p>\n<p>You-Me Park and Rajeswari Sunder Rajan (eds), <em>The Postcolonial Jane Austen<\/em>, (Routledge, 2001)<\/p>\n<p>&nbsp;<\/p>\n<h3>Postmedieval: Special Issue Race, Revulsion, and Revolution, 11.4 (2020)<\/h3>\n<p>Ato Quayson (ed), <em>The Cambridge Companion to the Postcolonial Novel<\/em>\u00a0(Cambridge UP, 2015)<\/p>\n<p>Edward Said, <em>Culture and Imperialism<\/em> (Knopf, 1994)<\/p>\n<p>Manu Samriti Chander, Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century (Bucknell UP, 2017)<\/p>\n<p>Ziauddin Sardar, <em>Balti Britain: A Journey Through the British Asian Experience<\/em> (Granta, 2008)<\/p>\n<p>Deborah Shapple Spillman, \u2018African Skin, Victorian Masks: The Object Lessons of Mary Kingsley and Edward Blyden\u2019, <em>Victorian Literature and Culture,<\/em> 39.2 (2011): 305-326<\/p>\n<p>Deborah Shapple Spillman, <em>British Colonial Realism in Africa: Inalienable Objects, Contested Domains <\/em>(Palgrave 2012)<\/p>\n<p>Jyotsna G. Singh (ed), <em>A Companion to the Global Renaissance: English Literature and Culture in the Era of Expansion<\/em> (Wiley-Blackwell, 2013)<\/p>\n<p>Leila Taylor, <em>Darkly: Black History and America&#8217;s Gothic Soul<\/em> (Repeater Books, 2019)<\/p>\n<p>Patricia Ventura and Edward K. Chan (eds), <em>Race and Utopian Desire in American Literature and Society<\/em> (Palgrave Macmillan, 2019)<\/p>\n<p><em>Victorian Studies<\/em>: <em>Special Issue Undisciplining Victorian Studies,<\/em> 62.3 (2020)<\/p>\n<p>Lisa Yaszek, &#8216;Afrofuturism, Science Fiction, and the History of the Future&#8217;, <em>Socialism and Democracy,<\/em> 20:3 (2006): 41-60<\/p>\n<p>Elizabeth Young, <em>Black Frankenstein: The Making of an American Metaphor<\/em> (New York UP, 2008)<\/p>\n<p>Robert J. C. Young, <em>Postcolonialism: An Historical Introduction\u00a0<\/em>(Blackwell, 1999)<\/p>\n<p>Robert J. C. Young, <em>Postcolonialism: A Very Short Introduction\u00a0<\/em>(Oxford UP, 2003)<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h3><strong>Fiction<\/strong><\/h3>\n<p>Dean Atta, <em>The Black Flamingo<\/em> (Hodder, 2019)<\/p>\n<p>Naji Bakhti, <em>Between Beirut and the Moon<\/em> (Influx, 2020)<\/p>\n<p>Octavia Butler, <em>Parable of the Sower<\/em>\u00a0(Headline [1993] 2014)<\/p>\n<p>Octavia Butler, <em>Parable of the Talents<\/em>\u00a0(Headline, [1998] 2014)<\/p>\n<p>Bernadine Evaristo, <em>Girl, Woman, Other<\/em> (Penguin, 2019)<\/p>\n<p>Catherine Johnson, <em>Freedom <\/em>(Scholastic 2018)<\/p>\n<p>Nguy\u1ec5n Phan Qu\u1ebf Mai, <em>The Mountains Sing<\/em> (Oneworld, 2020)<\/p>\n<p>Bali Rai, <em>Mohinder&#8217;s War (<\/em>Bloomsbury Education (2020)<\/p>\n<p>Alex Wheatle, <em>Cane Warriors <\/em>(Andersen Press 2020)<\/p>\n<p><em><strong>\u00a0<\/strong>Please also see the online reading list for the following ELCW MA Module: <a href=\"https:\/\/portal.lancaster.ac.uk\/intranet\/mpc\/modules\/009476\/000120\">ENGL421 Postcolonial Women&#8217;s Writing<\/a><\/em><\/p>\n<p><strong>\u00a0<\/strong><strong>\u00a0<\/strong><\/p>\n<h3><strong>Other Media<\/strong><\/h3>\n<p><em>Critical Race Conversations<\/em>: Across the 2020\u20132021 academic year, the Folger Institute will host a series of free online sessions to address an expansive range of topics in the field of early modern critical race studies&lt;https:\/\/www.folger.edu\/critical-race-conversations&gt;<\/p>\n<p><em>Horror Noire: A History of Black Horror<\/em>, dir. Xavier Burgin (Stage 3 Productions, 2019)<\/p>\n<p>Erica Kanesaka Kalnay, \u2018Part-Victorian Imagination: On Being a Victorianist of Color\u2019, <em>V21 Collective Blog<\/em>, June 5, 2018&lt;http:\/\/v21collective.org\/part-victorian-imagination-victorianist-color&gt;<\/p>\n<p>Fred Moten, <a href=\"https:\/\/youtu.be\/uMf6GJ8wBf8\"><em>More Than a Manifesto: The Poet\u2019s Essay<\/em><\/a>, Columbia University School of the Arts 3 March 2018<\/p>\n<p><a href=\"https:\/\/acmrs.asu.edu\/RaceB4Race\"><em>RaceB4Race<\/em><\/a>: An ongoing conference series and professional network community by and for scholars of color working on issues of race in premodern literature, history, and culture, Arizona State University<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a non-exhaustive list compiled by colleagues in English Literature and Creative Writing February 2021 \u00a0 Print Media Non-fiction Patricia Akhimi, Shakespeare and the Cultivation of Difference: Race and [&hellip;]<\/p>\n","protected":false},"author":1122,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-337","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.lancs.ac.uk\/decolonising\/wp-json\/wp\/v2\/pages\/337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.lancs.ac.uk\/decolonising\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.lancs.ac.uk\/decolonising\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/decolonising\/wp-json\/wp\/v2\/users\/1122"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/decolonising\/wp-json\/wp\/v2\/comments?post=337"}],"version-history":[{"count":2,"href":"https:\/\/wp.lancs.ac.uk\/decolonising\/wp-json\/wp\/v2\/pages\/337\/revisions"}],"predecessor-version":[{"id":381,"href":"https:\/\/wp.lancs.ac.uk\/decolonising\/wp-json\/wp\/v2\/pages\/337\/revisions\/381"}],"wp:attachment":[{"href":"https:\/\/wp.lancs.ac.uk\/decolonising\/wp-json\/wp\/v2\/media?parent=337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}