{"id":371,"date":"2025-02-23T15:02:00","date_gmt":"2025-02-23T15:02:00","guid":{"rendered":"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/?page_id=371"},"modified":"2025-02-23T15:39:38","modified_gmt":"2025-02-23T15:39:38","slug":"crown-of-sonnets","status":"publish","type":"page","link":"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/crown-of-sonnets\/","title":{"rendered":"Crown of Sonnets"},"content":{"rendered":"<p>Lady Mary Wroth&#8217;s &#8216;Crowne of Sonnets Dedicated to Love&#8217; is a series of fourteen interlinked poems of fourteen lines each, which formed part of her sonnet sequence\u00a0<em>Pamphilia to Amphilanthus.\u00a0<\/em>The last line of each sonnet forms the first line of the next, with the final poem asking &#8216;<em>In this strange labyrinth how shall I turn<\/em>?&#8217;, the same question which Wroth uses to open the sequence. The sequence thus makes a complete circle.<br \/>\n<div id=\"attachment_359\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-359\" class=\"size-medium wp-image-359\" src=\"http:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/el-greco-the-coronation-of-virgin-prado.jpgLarge-300x293.jpg\" alt=\"\" width=\"300\" height=\"293\" srcset=\"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/el-greco-the-coronation-of-virgin-prado.jpgLarge-300x293.jpg 300w, https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/el-greco-the-coronation-of-virgin-prado.jpgLarge.jpg 615w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-359\" class=\"wp-caption-text\">&#8216;Corononation of the Virgin&#8217;, El Greco, 1591<br \/>(Public domain via Wikiart)<\/p><\/div>The &#8216;crown&#8217; of sonnets draws on both religious and poetic tradition. For example, Wroth&#8217;s contemporary, John Donne, composed a similar sequence of Holy Sonnets called &#8216;La Corona&#8217; which draws on the Roman Catholic tradition in which Mary is crowned and celebrated as the Queen of Heaven (most famously perhaps in El Greco&#8217;s 1591 painting). Donne celebrates the poetic crown of laurels that he strives for, but admits that while &#8216;<em>the end crowne our works<\/em>&#8216; it is Christ who &#8216;<em>crown&#8217;st our ends<\/em>&#8216; (John Donne,\u00a0<em>Poems, with Elegies on the Authors Death,\u00a0<\/em>London, 1633, p. 28).<\/p>\n<p><a href=\"http:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/IMG_1558-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-353\" src=\"http:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/IMG_1558-300x225.jpg\" alt=\"\" width=\"247\" height=\"185\" srcset=\"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/IMG_1558-300x225.jpg 300w, https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/IMG_1558-1024x768.jpg 1024w, https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/IMG_1558-768x576.jpg 768w, https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/IMG_1558-1536x1152.jpg 1536w, https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/IMG_1558-2048x1536.jpg 2048w, https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/IMG_1558-676x507.jpg 676w\" sizes=\"auto, (max-width: 247px) 100vw, 247px\" \/><\/a>Mary Wroth&#8217;s &#8216;Crowne of Sonnets Dedicated to Love&#8217; is less overtly religious in outlook. In Sonnet 13 she dedicates &#8216;<em>This Crowne, my selfe, and all that I have&#8217; <\/em>to a<em> &#8216;Great King of Love<\/em>&#8216;, who could be her lover, Cupid, Christ or a mixture of all these. Members of the Cinque Ports Scribes, under the coordination of <a href=\"https:\/\/www.facebook.com\/p\/Els-Van-Den-Steen-Calligraphy-Lettering-100063560077818\/?locale=en_GB\" target=\"_blank\" rel=\"noopener\">Els Van Den Steen<\/a>, gave each of the sonnets an artistic interpretation to form the crown. This can now be viewed in Baron&#8217;s Hall at Penshurst.<\/p>\n<hr \/>\n<p><em><strong>Photos of Els and some of the calligraphers at work<\/strong><\/em><br \/>\n<em><span style=\"font-size: 10pt\">Note: Flipbook best viewed full-screen.<\/span><\/em><br \/>\n<div class=\"_3d-flip-book  fb3d-fullscreen-mode full-size\" data-id=\"340\" data-mode=\"fullscreen\" data-title=\"false\" data-template=\"short-white-book-view\" data-lightbox=\"dark-shadow\" data-urlparam=\"fb3d-page\" data-page-n=\"0\" data-pdf=\"\" data-tax=\"null\" data-thumbnail=\"\" data-cols=\"3\" data-book-template=\"default\" data-trigger=\"\"><\/div><script type=\"text\/javascript\">window.FB3D_CLIENT_DATA = window.FB3D_CLIENT_DATA || 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&& FB3D_CLIENT_LOCALE.render && FB3D_CLIENT_LOCALE.render();<\/script><\/p>\n<p><em>Participating Calligraphers by Sonnet<\/em>:<\/p>\n<ol>\n<li>Els Van Den Steen<\/li>\n<li>Colin Lumsden<\/li>\n<li>Colin Lumsden<\/li>\n<li>Julia Baxter<\/li>\n<li>Rosie Griggs<\/li>\n<li>Jan Turner<\/li>\n<li>Mari Bain<\/li>\n<li>Naoko Munro<\/li>\n<li>Steve Eades<\/li>\n<li>Alison Millin<\/li>\n<li>Steve Eades<\/li>\n<li>Frances Liddiard<\/li>\n<li>Rosie Griggs<\/li>\n<li>Els Van Den Steen<\/li>\n<\/ol>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-368\" src=\"http:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/cropped-CPSLogo-3-768x123-1-300x48.jpg\" alt=\"\" width=\"300\" height=\"48\" srcset=\"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/cropped-CPSLogo-3-768x123-1-300x48.jpg 300w, https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/cropped-CPSLogo-3-768x123-1-676x108.jpg 676w, https:\/\/wp.lancs.ac.uk\/cmda-testarea\/files\/2025\/02\/cropped-CPSLogo-3-768x123-1.jpg 768w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><em>Cinque Ports Scribes<\/em> was formed in 1992 to cater for those who have a practical interest in Calligraphy and the art of Lettering and Illumination.<\/p>\n<p>If you would like to learn more about the group or, indeed, apply for membership, please visit out website: <a href=\"http:\/\/www.cinqueportsscribes.org.uk\">Cinque Ports Scribes<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lady Mary Wroth&#8217;s &#8216;Crowne of Sonnets Dedicated to Love&#8217; is a series of fourteen interlinked poems of fourteen lines each, which formed part of her sonnet sequence\u00a0Pamphilia to Amphilanthus.\u00a0The last line of each sonnet forms the first line of the next, with the final poem asking &#8216;In this strange labyrinth how shall I turn?&#8217;, the [&hellip;]<\/p>\n","protected":false},"author":1202,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-371","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/wp-json\/wp\/v2\/pages\/371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/wp-json\/wp\/v2\/users\/1202"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/wp-json\/wp\/v2\/comments?post=371"}],"version-history":[{"count":7,"href":"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/wp-json\/wp\/v2\/pages\/371\/revisions"}],"predecessor-version":[{"id":404,"href":"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/wp-json\/wp\/v2\/pages\/371\/revisions\/404"}],"wp:attachment":[{"href":"https:\/\/wp.lancs.ac.uk\/cmda-testarea\/wp-json\/wp\/v2\/media?parent=371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}