{"id":47,"date":"2023-09-12T11:59:12","date_gmt":"2023-09-12T11:59:12","guid":{"rendered":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/?page_id=47"},"modified":"2024-01-10T10:43:46","modified_gmt":"2024-01-10T10:43:46","slug":"publications","status":"publish","type":"page","link":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/39-2\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Members Publications<\/span><\/b>\u00a0<\/span><\/h2>\n

N Jacobs, P Booth (2021) Converging experiences, converging audiences: An analysis of doctor who on Twitch, Convergence 27 (5), 1324-1342<\/span>\u00a0<\/span><\/p>\n

N Jacobs (2020) Interdisciplinary methodologies for the fan studies bricoleur. Transformative Works and Cultures 33 (1)<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>N Jacobs (2018) Live streaming as participation: A case study of conflict in the digital\/physical spaces of Supernatural conventions. Transformative Works and Cultures 28<\/span>\u00a0<\/span><\/p>\n

N Jacobs, R Cooper (2018) Living in Digital Worlds: Designing the Digital Public Space. Routledge.<\/span>\u00a0<\/span><\/p>\n

Garc\u00eda Mingo, Elisa, and Prieto-Blanco, Patricia. 2023. #SisterIdoBelieveYou: Performative hashtags against patriarchal justice in Spain, <\/span>Feminist Media Studies<\/span><\/i>, 23,2, pp. 491-507,<\/span> https:\/\/doi.org\/10.1080\/14680777.2021.1980079<\/span><\/b><\/a>\u00a0<\/span><\/p>\n

Prieto-Blanco, Patricia. 2022. (Dis)Affect, Photography, Place, <\/span>Imaginations: Journal of Cross-Cultural Images Studies<\/span><\/i>, 13, 2, p. 123-144. <\/span>https:\/\/imaginations.space\/?p=14954<\/span><\/a>\u00a0<\/p>\n

Gencel Bek, Mine, and Prieto-Blanco, Patricia. 2020. (Be)Longing through visual narrative: mediation of (dis)affect and formation of politics through photographs and narratives of migration at DiasporaT\u00fcrk. <\/span>International Journal of Cultural Studies<\/span><\/i>, 23:5, pp. 709-727. <\/span>https:\/\/doi.org\/10.1177\/1367877920923356<\/span><\/a>\u00a0<\/span><\/p>\n

Prieto-Blanco, Patricia. 2016. (Digital) photography, experience and space in transnational families. A case study of Spanish\u2013 Irish families living in Ireland. In: E. G\u00f3mez-Cruz and A. Lehmuskallio eds. <\/span>Digital Photography and Everyday Life<\/span><\/i>. Routledge: New York, pp. 122\u2013141.<\/span>\u00a0

<\/span><\/p>\n

Prieto-Blanco, Patricia. 2016. Maria\u2019s bag. <\/span>Acta Universitatis Sapientiae Communicatio<\/span><\/i>, 3, pp. 81\u20135.<\/span>\u00a0<\/span><\/p>\n

Prieto-Blanco, Patricia, Schuppert, Mirjami, Lange, Jake. 2015. The digital progression of community archives from amateur production to artistic practice. A case study of Belfast Exposed, <\/span>SAGE Convergence Journal<\/span><\/i>, 01\/2015; 21(1), pp. 58\u201377. <\/span>https:\/\/doi.org\/10.1177\/1354856514560299<\/span><\/a>\u00a0
\u00a0<\/span><\/p>\n

Prieto-Blanco, Patricia. 2015. Visuelles tele-cocooning im Ausland. Eine auto-ethnographie. In: Elke Rentemeister et al. eds.: <\/span>Ultrashort, Hyperframe<\/span><\/i>, No. 5, pp. 50-55.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>Prieto-Blanco, Patricia. 2010.\u00a0<\/span> Family Photography as a phatic construction. <\/span>Networking Knowledge: Journal of the MeCCSA Postgraduate Network<\/span><\/i>, 3(2). <\/span>https:\/\/doi.org\/10.31165\/nk.2010.32.48<\/span><\/a>.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>Radoslavov, Stojan, Gorczany, Damian<\/span>,<\/span><\/b> and Prieto-Blanco, Patricia. 2010\u20132012. <\/span>Daheim-TV. F\u00f6rderung der intergenerativen Medienkompetenz.<\/span><\/i> [TV episodes produced in collaboration with residents in three different nursing homes in Bochum, Germany]. Available at: < <\/span> https:\/\/www.nrwision.de\/mediathek\/macher\/daheim ><\/span><\/a> [Accessed 22<\/span>th<\/span> October 2022].<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>Missero, D. 2023 (Forthcoming). \u201cTransnational Cinema Memory: Latin American Women Remembering Cinema-Going Across Borders.” In Treveri-Gennari D. et al. (eds.) <\/span>The Palgrave Handbook of Comparative New Cinema Histories. <\/span><\/i>Basingstoke: Palgrave-Macmillan.<\/span>\u00a0<\/span><\/p>\n

Missero, D. 2022. <\/span>Women Feminism and Italian Cinema. Archives from a Film Culture. <\/span><\/i>Edinburgh: Edinburgh University Press.<\/span>\u00a0<\/span><\/p>\n

Missero, D. 2021. \u201cMemory and gender as migrant audience formations: Latin American women remembering cinema and films across borders.\u201d <\/span>Participations. International Journal of Audience Research<\/span><\/i>, 18: 2, pp. 436-453.<\/span>\u00a0<\/span><\/p>\n

Garofalo, D. and Dalila Missero. 2018. \u201c\u2018Lontane da Voghera\u2019. Italian Housewives as Consumers and Spectators between Public and Private Spheres, 1954\u20131964.\u201d <\/span>The Italianist<\/span><\/i>. 38: 2, pp. 174-188.<\/span>\u00a0<\/span><\/p>\n

Missero, D. 2015. \u201cProiezioni di pubblico. Il cinema itinerante ENAL (1962-1963) nelle aree rurali, tra propaganda e rifiuto.\u201d <\/span>Immagine. Note di Storia del Cinema. <\/span><\/i>11.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Members Publications N Jacobs, P Booth (2021) Converging experiences, converging audiences: An analysis of doctor who on Twitch, Convergence 27 (5), 1324-1342 N Jacobs (2020) Interdisciplinary methodologies for the fan studies bricoleur. Transformative Works and Cultures 33 (1) N Jacobs (2018) Live streaming as participation: A case study of conflict in the digital\/physical spaces of […]<\/p>\n","protected":false},"author":1689,"featured_media":0,"parent":39,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-47","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/wp-json\/wp\/v2\/pages\/47","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/wp-json\/wp\/v2\/users\/1689"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":14,"href":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":294,"href":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/wp-json\/wp\/v2\/pages\/47\/revisions\/294"}],"up":[{"embeddable":true,"href":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/wp-json\/wp\/v2\/pages\/39"}],"wp:attachment":[{"href":"https:\/\/wp.lancs.ac.uk\/audiencenetworklu\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}