{"id":127,"date":"2017-10-26T16:37:25","date_gmt":"2017-10-26T16:37:25","guid":{"rendered":"http:\/\/wp.lancs.ac.uk\/subtext\/?p=127"},"modified":"2017-11-22T11:43:24","modified_gmt":"2017-11-22T11:43:24","slug":"when-rock-played-truant","status":"publish","type":"post","link":"http:\/\/wp.lancs.ac.uk\/subtext\/2017\/10\/26\/when-rock-played-truant\/","title":{"rendered":"WHEN ROCK PLAYED TRUANT"},"content":{"rendered":"<p><span style=\"font-family: 'courier new', courier\">Further to our little plug for Paul Tomlinson and Barry Lucas\u2019s compendium of the bands that played Lancaster, the sheer magnitude of the acts we played host to does raise the question: why don\u2019t we do this anymore? The Great Hall is laid out like most live music venues across the UK, has an entire audience on its doorstep, and a vast heritage. While we&#8217;re sure the official explanation of fire regulations has some basis in fact, we welcome suggestions for more creative theories from our readers!<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Further to our little plug for Paul Tomlinson and Barry Lucas\u2019s compendium of the bands that played Lancaster, the sheer magnitude of the acts we played host to does raise the question: why don\u2019t we do this anymore? The Great &hellip; <a href=\"http:\/\/wp.lancs.ac.uk\/subtext\/2017\/10\/26\/when-rock-played-truant\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":568,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4],"tags":[74,120,66],"class_list":["post-127","post","type-post","status-publish","format-standard","hentry","category-news","tag-history","tag-issue-167","tag-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p99sHo-23","jetpack-related-posts":[{"id":462,"url":"http:\/\/wp.lancs.ac.uk\/subtext\/2018\/03\/15\/martin-widden-red-pilling-the-music-industry-one-concert-at-a-time\/","url_meta":{"origin":127,"position":0},"title":"MARTIN WIDDEN: \u2018RED PILLING THE MUSIC INDUSTRY, ONE CONCERT AT A TIME\u2019","author":"Johnny Unger","date":"March 15 2018","format":false,"excerpt":"Review: Kathryn Stott It is often asserted that the sound of a violin improves in a period when it is being played quite intensively. And not only the violin - similar claims are made for other stringed instruments. Such claims are widely believed by musicians, but although careful scientific tests\u2026","rel":"","context":"In &quot;contributed article&quot;","block_context":{"text":"contributed article","link":"http:\/\/wp.lancs.ac.uk\/subtext\/category\/contributed-article\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1506,"url":"http:\/\/wp.lancs.ac.uk\/subtext\/2021\/11\/11\/widdens-reviews\/","url_meta":{"origin":127,"position":1},"title":"Widden&#8217;s Reviews","author":"Johnny Unger","date":"November 11 2021","format":false,"excerpt":"Contributed by Martin Widden WATER, MYTHS AND CHANGE AT THE PRIORY The first concert from Lancaster Arts to take place in 2021 with a live audience was held in Lancaster Priory on Saturday 5 June, with full social distancing in place. This meant of course that audience numbers had to\u2026","rel":"","context":"In &quot;review&quot;","block_context":{"text":"review","link":"http:\/\/wp.lancs.ac.uk\/subtext\/category\/review\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":117,"url":"http:\/\/wp.lancs.ac.uk\/subtext\/2017\/10\/26\/concert-review-the-brodsky-quartet\/","url_meta":{"origin":127,"position":2},"title":"CONCERT REVIEW: THE BRODSKY QUARTET","author":"Johnny Unger","date":"October 26 2017","format":false,"excerpt":"By Martin Widden It was once the convention that a concert would begin with a work by a composer from early times; the programme would then move chronologically through pieces by successively more recent composers. A concert by a string quartet might open with a quartet by Haydn (1732-1809), the\u2026","rel":"","context":"In &quot;contributed article&quot;","block_context":{"text":"contributed article","link":"http:\/\/wp.lancs.ac.uk\/subtext\/category\/contributed-article\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":381,"url":"http:\/\/wp.lancs.ac.uk\/subtext\/2018\/03\/01\/martin-widden-the-man-with-the-golden-ears\/","url_meta":{"origin":127,"position":3},"title":"MARTIN WIDDEN: \u2018THE MAN WITH THE GOLDEN EARS&#8217;","author":"Johnny Unger","date":"March 1 2018","format":false,"excerpt":"Review: Kabantu at the Nuffield Five young musicians in line across the stage of the Nuffield, one of them squatting over a bongo drum. This was Kabantu, the Manchester-based band that played in the Lancaster Arts Concert Series on 17 February. As well as the drum, the line-up consisted of\u2026","rel":"","context":"In &quot;contributed article&quot;","block_context":{"text":"contributed article","link":"http:\/\/wp.lancs.ac.uk\/subtext\/category\/contributed-article\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":129,"url":"http:\/\/wp.lancs.ac.uk\/subtext\/2017\/10\/26\/when-rock-went-to-college\/","url_meta":{"origin":127,"position":4},"title":"WHEN ROCK WENT TO COLLEGE","author":"Johnny Unger","date":"October 26 2017","format":false,"excerpt":"Staff, students, and alumni of the university will have recently received an invitation to the launch of \u2018When Rock Went to College\u2019 - a comprehensive book detailing the bands that played the Great Hall by Paul Tomlinson and Barry Lucas. subtext has twice reported on this work; once to encourage\u2026","rel":"","context":"In &quot;news&quot;","block_context":{"text":"news","link":"http:\/\/wp.lancs.ac.uk\/subtext\/category\/news\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":157,"url":"http:\/\/wp.lancs.ac.uk\/subtext\/2017\/11\/09\/martin-widden-he-pulls-no-punches-and-tells-it-like-it-is\/","url_meta":{"origin":127,"position":5},"title":"MARTIN WIDDEN: &#8216;HE PULLS NO PUNCHES, AND TELLS IT LIKE IT IS&#8217;","author":"Johnny Unger","date":"November 9 2017","format":false,"excerpt":"Review: Scarlatti and Cage in the Great Hall Domenico Scarlatti (born Naples in 1685, and so an exact contemporary of J S Bach) wrote over 500 sonatas for harpsichord, nearly all of them short and in just one movement of simple AABB form - two halves, each of them repeated.\u2026","rel":"","context":"In &quot;contributed article&quot;","block_context":{"text":"contributed article","link":"http:\/\/wp.lancs.ac.uk\/subtext\/category\/contributed-article\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/posts\/127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/users\/568"}],"replies":[{"embeddable":true,"href":"http:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/comments?post=127"}],"version-history":[{"count":1,"href":"http:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/posts\/127\/revisions"}],"predecessor-version":[{"id":128,"href":"http:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/posts\/127\/revisions\/128"}],"wp:attachment":[{"href":"http:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/media?parent=127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/categories?post=127"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/wp.lancs.ac.uk\/subtext\/wp-json\/wp\/v2\/tags?post=127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}