{"id":28,"date":"2013-09-05T14:05:01","date_gmt":"2013-09-05T14:05:01","guid":{"rendered":"http:\/\/wp.lancs.ac.uk\/performance-ritual-ceremony\/?page_id=28"},"modified":"2013-10-25T13:32:49","modified_gmt":"2013-10-25T13:32:49","slug":"publications","status":"publish","type":"page","link":"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p><strong>Publications<\/strong><\/p>\n<h4 align=\"justify\"><a href=\"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/files\/2013\/10\/10_oakleybrown_rituals-and-rhetoric.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-132\" style=\"float: right;margin-left: 10px;margin-right: 10px\" src=\"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/files\/2013\/10\/10_oakleybrown_rituals-and-rhetoric.jpg\" alt=\"Book cover\" width=\"110\" height=\"165\" \/><\/a><strong><em>Liz Oakley-Brown &amp; Louise J. Wilkinson, eds., The Rituals and Rhetoric of Queenship: Medieval to Early Modern <\/em><\/strong><em>(<\/em><em><a href=\"http:\/\/www.fourcourtspress.ie\/product.php?intProductID=881\">Four Courts Press<\/a><\/em><em> 2009)<\/em><\/h4>\n<p>&nbsp;<\/p>\n<p align=\"justify\"><em>The Rituals and Rhetoric of Queenship: Medieval to Early Modern<\/em> explores the ways in which, whether a consort or a ruler in her own right, the late medieval and early modern queen was a pivotal, and often controversial, figure. By examining the historical character of the queen as represented in letters, chronicles and documents of state, as well as her fashioning (and re-fashioning)\u00a0 in a range of literary works and visual media, the essays in this collection interrogate the role of the female monarch, primarily within the British Isles, both as a symbol of harmony and dynastic stability and as a potential focus for political factionalism, disunity and discontent.\u00a0 The <em>Review of English Studies<\/em> (May 2010) writes, &#8220;The essays are of a uniformly high quality and make an important contribution to our current understanding of female magistracy in the pre-modern world&#8230; Oakley-Brown and Wikinson have done a masterful job of assembling an array of new scholarly perspectives on the field of early modern queenship.&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>Preternature<\/em>: Special Issue \u2018Capturing Witches\u2019, ed. Findlay and Oakley-Brown (forthcoming January 2014)<\/p>\n<p>Findlay, \u2018Rites and Revivals in <em>Love\u2019s Victory\u2019, <\/em>in <em>Prismatic Shakespeare from the Renaissance to the Twenty First Century, <\/em>ed. Kumiko Hoshi, Hanako Nadehara and Reiko Ishibuchi (Tokyo: Kinseido 2013), pp. 89-104;<\/p>\n<p>Findlay, &#8216;A Day to Remember: wedding and ceremony in Shakespeare&#8217;, <em>Shakespeare, <\/em>8:4 (2012), 411-23; <strong>\u2018<\/strong>Ceremony and Selfhood in <em>The Comedy of Errors <\/em>(c1592),\u2019 in <em>The Oxford Handbook of Tudor Drama, <\/em>ed. Thomas Betteridge and Greg Walker (Oxford University Press, 2012), pp. 338-54;<\/p>\n<p>Findlay, \u2018The Madcap and Politic Prince of Wales: Ceremony and Courtly Performance in <em>Henry IV,\u2019 <\/em>in <em>Shakespeare\u2019s Henry IV Part I: Critical Essays, <\/em>ed. Stephen Longstaffe (Manchester: Manchester University Press, 2010), pp. 86-98<\/p>\n<p>Findlay, \u2018Surface Tensions: Ceremony and Shame in <em>Much Ado About Nothing,<\/em>\u2019 <em>Shakespeare Survey, <\/em>63, ed. Peter Holland (2010), 282-90.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Publications Liz Oakley-Brown &amp; Louise J. Wilkinson, eds., The Rituals and Rhetoric of Queenship: Medieval to Early Modern (Four Courts Press 2009) &nbsp; The Rituals and Rhetoric of Queenship: Medieval to Early Modern explores the ways in which, whether a &hellip; <a href=\"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/publications\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":32,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"sidebar-page.php","meta":{"footnotes":""},"class_list":["post-28","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/wp-json\/wp\/v2\/pages\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/wp-json\/wp\/v2\/comments?post=28"}],"version-history":[{"count":4,"href":"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/wp-json\/wp\/v2\/pages\/28\/revisions"}],"predecessor-version":[{"id":133,"href":"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/wp-json\/wp\/v2\/pages\/28\/revisions\/133"}],"wp:attachment":[{"href":"http:\/\/wp.lancs.ac.uk\/performance-ceremony-ritual\/wp-json\/wp\/v2\/media?parent=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}