Looks at the representation of speech used by (and about) male and female Disney and Pixar characters and relates this to filmmakers’ choices to support or challenge language and gender ideologies. Combines quantitative and qualitative methods. Fought, C., & Eisenhauer, K. (2022). Language and Gender in Children's Animated Films: Exploring Disney and Pixar. Cambridge: Cambridge … Continue reading Fought and Eisenhauer (2022) Language and gender in children’s animated films: Exploring Disney and Pixar
Tag: Pixar
Giunchigliani (2011) Gender transgressions of the Pixar villains
Explores whether the phenomenon of gender queering identified in Disney villains is also present in the films produced by Pixar. The appearances and behaviour of three male villains from Pixar's films are coded for stereotypical masculine and stereotypical queer features, and these are compared to existing findings on Disney villains. This thesis will be useful … Continue reading Giunchigliani (2011) Gender transgressions of the Pixar villains
Itmeizeh and Ma’ayeh (2017) Evolution of gender roles and women’s linguistic features …
Examines the ways in which gendered language use and stereotypical gender roles have changed over time using the animated Disney movies Brave and Snow White and the Seven Dwarfs as case studies. Incorporates detailed linguistic analysis of the features of female characters’ language, using specific extracts from each film in direct comparison against one another. This … Continue reading Itmeizeh and Ma’ayeh (2017) Evolution of gender roles and women’s linguistic features …
Lestari (2020) The representation of feminism in The Incredibles 2
Examines both linguistic and visual features present in The Incredibles 2 and the ways in which they present the female protagonist, Elastigirl/ Helen Parr. Largely qualitative analysis. Detailed visual and linguistic examples can be found in the appendices, but are not incorporated into discussion. This thesis would be useful for those interested in how the … Continue reading Lestari (2020) The representation of feminism in The Incredibles 2
McKee (2020) Make(over)
Explores concepts surrounding gender presentation, particularly a characters’ transformation towards hegemonic masculinity, in three animated Disney films. Discusses which masculine roles and bodies are considered ‘ideal’ in Disney’s animation. Mostly qualitative approach using rhetorical criticism. Little detailed linguistic analysis but salient scenes from films are discussed critically in terms of visual, aural and kinesic features … Continue reading McKee (2020) Make(over)
Shehatta (2020) Breaking stereotypes
Covers the presentation of the protagonist, Princess Merida, in the Disney/Pixar film Brave. A multimodal approach was taken by the researcher, using both visual and linguistic analysis (looking at politeness strategies and face-threatening acts in particular). This article will be useful if you are interested in how femininity relates to politeness in animated films, particularly … Continue reading Shehatta (2020) Breaking stereotypes
Sundqvist (2005) Gender specific language in animated movies
Studies 10 pragmatic features in the films Antz and Finding Nemo in relation to gender specific language - talkativeness, interruptions, tags and hedges, discourse and topics, gossip, voice, standard and non-standard language, profanity, politeness and verbal irony and figurative speech. This study would be useful for those interested in statistical analysis of gender representation and … Continue reading Sundqvist (2005) Gender specific language in animated movies
Wiersma (2000) The gendered world of Disney
Examines the presentation of stereotypical gender-roles in sixteen animated Disney films. Traits observed included physical appearance, employment, societal/familial power and character traits. Mostly qualitative analysis, including discussions about relevant scenes/characters that fit particular point of analysis. No detailed linguistic analysis but would be useful for a general overview on how a large sample of Disney’s … Continue reading Wiersma (2000) The gendered world of Disney