Even if you’ve never heard of Revolutionary Girl Utena (Ikuhara, 1997), you’ll absolutely know something that’s referenced it, if not taken direct influence from it. From Steven Universe (Sugar, 2013-2019), The Owl House (Terrace, 2020-present) and She-Ra and The Princesses of Power (Stevenson, 2018-2020), to Pokémon (Yuyama and Tomiyasu, 1997–Present), Scott Pilgrim (O'Malley, 2004-2010) and My … Continue reading The Sapphic 90s anime that inspired Steven Universe and She-ra: a discourse-focused analysis of Revolutionary Girl Utena
Tag: critical discourse analysis
“But I’m not a girl! I’m a shark!” – A discourse-focused analysis of genderqueer allegory through language in Nimona
Representation in Animation Animation can arguably be a medium of exploration and growth. As other GLARe posts have shown, animated films are far more than just cartoons for children! Films like Into the Spiderverse (Persichetti et al., 2018) and The Mitchells vs the Machines (Rianda, 2021) are some of my personal favourite examples of the … Continue reading “But I’m not a girl! I’m a shark!” – A discourse-focused analysis of genderqueer allegory through language in Nimona
Alsaraireh et al. (2020) Critical discourse analysis of gender representation …
Covers the presentation of major characters in Disney's Frozen, especially Anna and Elsa. The stereotypically feminine features in the language they use are examined, as well as the gendered stereotypes evident in their actions and visual portrayals. This article will be useful if you are interested in how gendered stereotypes present in Disney films (especially with … Continue reading Alsaraireh et al. (2020) Critical discourse analysis of gender representation …
Al-Yasin and Rabab’ah (2021) Female Disney characters’ linguistic features in the 1990’s
Investigates female characters’ linguistic features in three animated Disney princess films from the 1990’s. Includes a quantitative analyses of the linguistic features of the princess’ speech whilst also providing qualitative analyses to consider these features in context through excerpts from the scripts. This study would be useful for those who are interested in stereotypical feminine … Continue reading Al-Yasin and Rabab’ah (2021) Female Disney characters’ linguistic features in the 1990’s
Assa et al. (2022) Being a man: Representation of liberating masculinity in animation film
Conducts a critical analysis of the depiction of liberating masculinity in DreamWorks’ How to Train Your Dragon. Qualitative data covering both the macro and micro structure of the text. Semantics and syntax are analysed as well as the paper taking a more stylistic approach towards the end. Although good for a multimodal overview of the … Continue reading Assa et al. (2022) Being a man: Representation of liberating masculinity in animation film
Halttunen (2022) “She’s the greatest earthbender I’ve ever seen!”
Examines the presentation of female agency in two characters (Toph and Azula) in the animated series Avatar: The Last Airbender, looking particularly at multimodal features. Mostly qualitative analysis incorporating both visual and linguistic features through a critical stance. Linguistically, specific vocabulary and politeness strategies were analysed and evidenced with script excerpts. This thesis would be … Continue reading Halttunen (2022) “She’s the greatest earthbender I’ve ever seen!”
Han (2020) Gender representation in Beauty and the Beast
Examines how gendered language has changed between Beauty and the Beast’s original animated version in 1991 and its 2017 live-action remake. Considers both male and female language. Looks at both pragmatics (primarily politeness/impoliteness) and linguistic analysis, focusing on verb processes and evaluative adjectives. The study takes both a qualitative and quantitative approach to language analysis, … Continue reading Han (2020) Gender representation in Beauty and the Beast
Lestari (2020) The representation of feminism in The Incredibles 2
Examines both linguistic and visual features present in The Incredibles 2 and the ways in which they present the female protagonist, Elastigirl/ Helen Parr. Largely qualitative analysis. Detailed visual and linguistic examples can be found in the appendices, but are not incorporated into discussion. This thesis would be useful for those interested in how the … Continue reading Lestari (2020) The representation of feminism in The Incredibles 2