Explores conventions of the “Magical Girl” and “Good Witch” tropes within the Shojo/Shoujo genre. Covers older representations of heteronormativity, gender conformity and nonconformity in the 90s, analysing a variety of animes from this genre. Focuses on the demonization of “butchness” and lesbianism as well as the sexualization of adolescent protagonists, through semantic and pragmatic analysis. … Continue reading Campanelli (2019) Gender Nonconformity and Lesbianism in the Magical Girl Genre
Month: June 2022
Chen & Liu (2023) A Study on Chinese Audience’s Receptive Behavior towards Chinese and Western Cultural Hybridity Films Based on Grounded Theory – Taking Disney’s Animated Film Turning Red as an Example
Analyses Chinese reactions to the Disney film “Turning Red” (2022) as a hybrid of Chinese and Western culture and values on screen. Explores the depictions of mother-daughter relationships, female friendships and support and the influence of Chinese culture and society on these, whilst discussing the resonance of these themes with Chinese viewers. Also describes the … Continue reading Chen & Liu (2023) A Study on Chinese Audience’s Receptive Behavior towards Chinese and Western Cultural Hybridity Films Based on Grounded Theory – Taking Disney’s Animated Film Turning Red as an Example
Dahlberg-Dodd (2020) Voices of the hero
Examines the presentation of hegemonic masculinity in anime aimed at adolescent boys and its change over time. The study looks at the use of pronouns and the phonetic performance of protagonists and how these respectively relate to gender performance. This paper would be useful for those interested in the relationship between linguistic content and phonetic … Continue reading Dahlberg-Dodd (2020) Voices of the hero
Davis (2005) The ‘dark prince’ and dream women
Covers the attitudes of Walt Disney toward several minority groups (especially women), as well as his personality, beliefs, and practices when running his studio. This article will be useful if you are interested in gaining a fuller understanding of Walt Disney as a person and how this might relate to the output of his studio. … Continue reading Davis (2005) The ‘dark prince’ and dream women
Davis (2007) Good girls and wicked witches
Covers the depictions of human female protagonists and antagonists in Disney’s animated feature films released between 1937 and 2005. Along with providing background information on animation, Disney (the studio and the person) and constructions of femininity in American popular culture, a fairly large number of specific films are examined in depth. These analyses will be … Continue reading Davis (2007) Good girls and wicked witches